@rauliruegas
If you made it that kind of inve$tment then could means you own maybe thousands or at least several hundreds of LPs. Rigth?
No, far from it! When I first arrived in Australia, my local library had a huge range of classical records that they lent out, free-of-charge, so I did not need to buy classical records. Wollongong, an industrial 'steel city' on the coast south of Sydney, was not noted for culture. As compensation it offers 25 patrolled surf beaches.
It did spawn Richard Tognetti who leads the Australian Chamber Orchestra when he is not surfing. Notably, the ensemble stands when playing (except the cellists). World class.
Since I bought my Holbo turntable, I have more than doubled my record collection, some new and many second-hand. My buying rule now for performances I want is SACD if available, otherwise vinyl, otherwise CD. Sometimes I buy vinyl and CD versions simultaneously.
The only exception so far is Shostakovich's Piano Concertos on Hyperion, with Marc-Andre Hamelin. I use the slow movement of the Second Concerto on SACD when assessing components. It was that track that almost instantaneously indicated that my Reavon universal disk player had a problem with its dacs on SACD (Sadly, the SACD is no longer available). I bought the vinyl to see if @lewm was right that vinyl is better than CD. With the DS Audio cartridge, I think it is, but I have not had time to compare the 2-channel SACD with vinyl yet.
As far as the use of digital in phono stages, I have no opinion. But I do note that many vinyl records have gone through a digital stage, whether acknowledged or not! My whole vinyl quest could have been built on a con ... but I am loving the journey