@stillbuyingtoys
$1,000 for a DDC vs $4,000 for a transport is pretty tempting. In my head this additional filtering in the DDC would give me the sonic improvements of a great streaming transport.
What are your thoughts and experience?
I play 100% of my digital files, directly from my laptop (no internet). Using a good Audioquest USB cable, and it sounded very good. But I have heard better, with the same DAC, using its CD transport.
My solution was to have my laptop feed a Berkeley Audodesign Alpha USB Series 2 re-clocker, and have that re-clocker feed my DAC via AES/EBU. It sounds amazing.
But the price exceeds your $4,000 price that you mentioned, mostly due to the USB cable and the AES/EBU cable.
The Berkeley re-clocker was $2,245.50 (they have a reference model that is twice that price).
I can't say how important the role of quality cables are, for connecting that re-clocker. I purchased very good ones, and have no other cables to make a swap for comparison.
That Berkeley re-clocker lowers the noise floor, and reduces jitter, and the results are impressive.
Note that that re-clocker has only one input option: USB.
And it has only two output options: SPDIF and AES/EBU. Berkeley recommends using the AES/EBU option.
Be careful of USB cable lengths. Try to keep it short. AES/EBU can be much longer, without being a problem -- although, Shunyata Research recommends keeping their AES/EBU cable at 1.5 meters. I needed a longer one, at 2.5 meters, and it sounds great (but would I hear a difference if it was 1.5 meters?).
From reviews, that Berkeley re-clocker makes any streamer / DAC combination sound better. But I can't speak on such usage, because I use mine with locally stored wav and flac files. But if I had to make a wager, I would confidently say that that Berkeley re-clocker would do wonders for your streaming.