Thanks everybody for the advice. In my past life I was a recording engineer working in the analog world with 48 track Studer 2 inch tape, Neve modules and Class A outboard gear. I worked in a solid state environment with Tannoy large speakers and and the ubiquitous Yamaha NS-10 near fields. As a result I went from electro-magnetics to a Mark Levinson/ B&W 801 combo to compare mixtapes from my daily sessions on an apples to apples scenario. This was fine for the last 25 years. I eventually sold the B&Ws for som Wilson Sophia and added a Spectral solid state system. Foolishly sold my record collection because I had the majority of my collection burned into an Innuos digital music server. Now I'm converting one of my seven wine bar/cocktail bar restaurants into a listening room. A coming full-circle if you will . A horrible time financially to be purchasing vinyl again. With the Spectral system I'm using MIT cables per the designer's suggestion. Obviously I can hear the difference but my question is more of a practical one seeing I'm using the Altecs and Klipsch in a commercial setting and longer runs from the tube amps are essential.
Advice on choosing speaker cables for vintage Altec Model 19 speakers
I'm putting together a vintage system for a Japanese-styled Kissa Listening bar. So far I have a pair of Altec Model 19 with the Werner Jagusch crossovers for the mains and a pair of Klipsch Heresy II for the back fills. These will be driven by two Liine-Magnetic Tube amps. I'd like some advice from those who have used or are using the Altecs on choosing the right speaker cables for this vintage styled system.
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- 26 posts total
- 26 posts total

