I haven't been this excited in a while!


I have been growing my system for 8 years going through 8 preamps, 6 amps, 5 phonostages, 8 DACs, 8 streamers, 6 turntables and 7 sets of speakers.  Lots of long drives pulling a U-Haul haha.  I live in Memphis and have been to Dallas, Bethesda, DC, Jersey, Charlotte and Asheville.  

My Wilson Sophia 1 have been the speaker that keeps making the most musical sound in my system through all the electronic upgrades.  Other Wilson(Yvette/Sasha DAW/Alexia 1) had an overly bright/harsh sound that I could not enjoy.  EgglestonWorks Viginti and Focal 1038Be did the same.  I often have an experience with gear that doesn't fit the mould of what is expected.  Wilson and dealers all were in disbelief that my inverted metal dome tweeters in the Sophias play smoother than the soft-dome, but it wasn't just me...had a couple local audiophile friends over and I will never forget, one used the expression that they make you want to run out of the room.

A few weeks ago a friend  let me listen to his Harbeth Compact 7ES-2s and I was blown away.  All the assessments and reviews were spot on.  They were so musical and natural sounding.  This medium sized speaker was also super impressive in how the bass filled my large space.  

I started looking for some older model 40s and am going in about a week to pick up my M40.1s.  I was never a huge fan of their aesthetics with the old school box design.  I do love wood however it may be used in a home and with that sound they are looking more and more beautiful to me.  

Sonus Faber have a similar reputation and with their sleeker and more modern design, I had thought they would be my next contender but at the price point and the reviews of these 40.1s, as I said...I am just giddy over getting them home and seeing how they can perform.

I listen to all genres of music and will report back in a couple weeks on how things work out.  I was curious of others that are new to the Harbeth sound.

Cheers,
Dana

dhite71

I recently introduced a Pair of Speakers to my system that are very different to my long-term used main Speaker being ESL's.

ESL's are the Speaker of choice for near 30 years and have not been a Speaker that I have set myself up to find their Successor, well not until late 2024 and throughout 2025.

Experiences of Speaker in other systems and models brought into the home, created a inquisitiveness, which led to investigations, resulting in the ESL's being superseded. There was not much of a challenge, the ESL's are excellent and have won much favour, they have their own fan club when used in my system. Others who are aware of what has occurred with their future are astounded by my decision made, not even a return to a comparison at a later time is a consideration. The New Speakers have floored the ESL's and I can't even say I pine for traits of the ESL to be found in these Speakers presented End Sound.

Enough about Olden vs Newly Acquired Speakers.

The Newly Acquired Speakers are Tall on their Pedestals they are 1700mm ( 72") High. Not as High as the ESL that was 2000mm ( 80") High.

I do intend on changing the Pedestal / Sub Plinth and lower the New Speakers to 1550mm ( 66") High.

In relation to setting up a Speaker within a dedicated listening space, what have I discovered about the New Cabinet Design Speakers in comparison to other Cabinet Design Speakers used for periods as an alternative to the ESL End Sound and the ESL's within the same dedicated listening space.

The New Speakers are much more sensitive to incremental changes to orientation and positioning to the local structures than I have a recollection of any other Speaker used. 

5mm ( 2/8") changes to the Baffle Toe and Baffle Leaning from being vertical plumb, creates audible change.

Additionally, 50mm (2") movement used for the Speakers Spacing and the distance form the listener / offset from local structures is audible and impacts on the perception of the End Sound produced. 

Never have I had such a broad range of impressions for what can be referred to as the Sweet Spot. I would say at this stage of experiencing the Speakers I am close but can't fully determine until I create a new height for the Sub Plinth. I say this as my listening chair is now for the first time ever sat upon a 100mm (4") High Sub Plinth. 

More importantly, the positioning for these Speakers is close to 200mm different to Tape demarcation on the Carpet used for the siting of older model Cabinet Model Speakers.

For the OP @dhite 71, When New Speakers are in the listening space, do take the time to find out how sensitive they are to the siting given within the Space. What one thinks they know, is easily proven wrong, when the time is taken to investigate.

A low profile Dolly Trolley used to sit the Speakers on, does make the reorientations and distance changes extremely easy to nail the better positioning. Using a Sub Plinth to decouple the Speakers is a common discussion and I prefer a Sub Plinth. Usually a Sub Plinth made up of tiers of materials in conjunction with Pneumatic Isolation Footers being in contact with the Speaker.

When the Sub Plinth is utilised. I use an already found dimension to local structures from the dolly trolley usage. When at the selected dimension positioning, only tweaking Baffle Orientation is occurring. Baffle Toe, and Baffle Vertical Plumb is toyed with.

My seating is at 3 mtrs (10'), with all my Cabinet Speakers and ESL's having  benefitted from a Baffle that leans forwards and not be a Vertical Plumb Speaker Baffle. My Co-axials have a end set up with a 25mm forward lean, the New Speakers are at the current time with a 10mm forward lean. The ESL's were 75mm Leaning forwards when they were set up. 

Substantial information embedded in the recording is lost or not with any accentuation in the End Sound, when generalisation for Speaker Positioning is the discipline expressed when setting up Speakers.

Honing the positioning of the Speaker over a period of time, and working with the Mounting Method for the Speaker, along with interfacing the Speaker to the Room Space and structures. Does go a very very long way, to get one a Speaker that is able to be very impressive and not just a creator of a Sound. A Speaker with a infectious End Sound is able to be eked within the listening Space when time and experimenting is the intention.         

I recently introduced a Pair of Speakers to my system that are very different to my long-term used main Speaker being ESL's.

ESL's are the Speaker of choice for near 30 years and have not been a Speaker that I have set myself up to find their Successor, well not until late 2024 and throughout 2025.

Experiences of Speaker in other systems and models brought into the home, created a inquisitiveness, which led to investigations, resulting in the ESL's being superseded. There was not much of a challenge, the ESL's are excellent and have won much favour, they have their own fan club when used in my system. Others who are aware of what has occurred with their future are astounded by my decision made, not even a return to a comparison at a later time is a consideration. The New Speakers have floored the ESL's and I can't even say I pine for traits of the ESL to be found in these Speakers presented End Sound.

Enough about Olden vs Newly Acquired Speakers.

The Newly Acquired Speakers are Tall on their Pedestals they are 1700mm ( 72") High. Not as High as the ESL that was 2000mm ( 80") High.

I do intend on changing the Pedestal / Sub Plinth and lower the New Speakers to 1550mm ( 66") High.

In relation to setting up a Speaker within a dedicated listening space, what have I discovered about the New Cabinet Design Speakers in comparison to other Cabinet Design Speakers used for periods as an alternative to the ESL End Sound and the ESL's within the same dedicated listening space.

The New Speakers are much more sensitive to incremental changes to orientation and positioning to the local structures than I have a recollection of any other Speaker used. 

5mm ( 2/8") changes to the Baffle Toe and Baffle Leaning from being vertical plumb, creates audible change.

Additionally, 50mm (2") movement used for the Speakers Spacing and the distance form the listener / offset from local structures is audible and impacts on the perception of the End Sound produced. 

Never have I had such a broad range of impressions for what can be referred to as the Sweet Spot. I would say at this stage of experiencing the Speakers I am close but can't fully determine until I create a new height for the Sub Plinth. I say this as my listening chair is now for the first time ever sat upon a 100mm (4") High Sub Plinth. 

More importantly, the positioning for these Speakers is close to 200mm different to Tape demarcation on the Carpet used for the siting of older model Cabinet Model Speakers.

For the OP @dhite 71, When New Speakers are in the listening space, do take the time to find out how sensitive they are to the siting given within the Space. What one thinks they know, is easily proven wrong, when the time is taken to investigate.

A low profile Dolly Trolley used to sit the Speakers on, does make the reorientations and distance changes extremely easy to nail the better positioning. Using a Sub Plinth to decouple the Speakers is a common discussion and I prefer a Sub Plinth. Usually a Sub Plinth made up of tiers of materials in conjunction with Pneumatic Isolation Footers being in contact with the Speaker.

When the Sub Plinth is utilised. I use an already found dimension to local structures from the dolly trolley usage. When at the selected dimension positioning, only tweaking Baffle Orientation is occurring. Baffle Toe, and Baffle Vertical Plumb is toyed with.

My seating is at 3 mtrs (10'), with all my Cabinet Speakers and ESL's having  benefitted from a Baffle that leans forwards and not be a Vertical Plumb Speaker Baffle. My Co-axials have a end set up with a 25mm forward lean, the New Speakers are at the current time with a 10mm forward lean. The ESL's were 75mm Leaning forwards when they were set up. 

Substantial information embedded in the recording is lost or not with any accentuation in the End Sound, when generalisation for Speaker Positioning is the discipline expressed when setting up Speakers.

Honing the positioning of the Speaker over a period of time, and working with the Mounting Method for the Speaker, along with interfacing the Speaker to the Room Space and structures. Does go a very very long way, to get one a Speaker that is able to be very impressive and not just a creator of a Sound. A Speaker with a infectious End Sound is able to be eked within the listening Space when time and experimenting is the intention.         

OP keep racking up the real road and music miles -!this is a journey of self discovery at the core… audiophile know thyself…

congrats !!!!

@dhite71 

You nailed the sound of the Harbeth C7ES-XD. I’ve posted about them several times times. Ever since I bought them in 2024 my music listening has been at another level for me. I’ve own  B&W, KEF, ATC, Quad and Thiel. The Harbeths just sound like live music with a midrange that is just superior to any I’ve heard. And yes the low end is wonderfully impactful with no need for a sub. 

@pindac What are your new speakers? It would be nice to know what superseded your ESLs.

 

@dhite71 With the Wilsons being so bright in your system, what made you keep purchasing the Wilson line? Just curious if you might benefit from listening to a variety of speakers at one of the 2 (or more?) nice HiFi shops over in Nashville.

 

Cheers