Some thoughts about tonearm wire


Recently, I purchased a used AT-1100 tonearm with two arm tubes.  It has the original factory silver wire, a nice touch I thought.  When I open the arm up to clean the bearings and re-oil them, I discovered the tonearm wire is so thin that it is not much thicker than the thin hair on my balding head!  I am talking about the OD of the insulation, the wire itself is much thinner!  The other tonearms I opened up to clean and re-oil, the copper wire was so much thicker.  

I am not making a comment here about whether silver or copper is better.  But no one seems to consider the wire gauge of the wire in question when discussing sound quality vs. wire material.  Regardless of how one material might sound over another, if the resistance, capacitance, and inductance is the same, the comparison has merit.  This silver wire is so thin, I can't help to think any sound improvement (or loss, depending on your viewpoint) is swamped by the gauge differences.   

Sure, silver is a better conductor than copper, but only when the gauge is the same. Once the silver wire gauge gets smaller, copper starts having an advantage in resistance, while silver starts having an advantage in reduced capacitance and disadvantage in higher inductance when compared to copper of a given gauge.  

I can't help thinking gauge is one thing that differentiates sound quality of silver vs. copper in tonearm wiring, as well as cabling to the preamp.  Those MC signals are tiny, and MM or MI is not a lot better. MC sees a very low impedance, so inductance and resistance becomes more of a factor than capacitance.  MI and MM sees a much higher impedance, so capacitance becomes more dominant than inductance or resistance.

Thoughts or comments?

 

 

spatialking

Your Audio Technica AT1100 is a low mass arm.

Thin wire has the advantage of less interference with the bearing motion.

You would be surprised at the "audiophile" rewires that put pressure on the bearings. When I was talking to SME years ago, the most common problem they saw were rewires, where the thickness and/or dressing of the wire through the horizontal pivot point had impaired the free movement of the arm. They have a special jig/tool to measure the degree of freedom of the bearings when they do assembly.

Teflon coated is the worst - it is very springy.

In other words leave well alone.

That is true, the factory tonearm wire has virtually no impact on bearing movement.

I'm not sure how it sounds, as the tonearm is in for some basic repair before I can use it.    

It does appear low mass, although ChatGPT indicated it would work very well with the Hana line of cartridges.  I plan on installing a Hana MC and 2M Blue on each of the arm tubes.  We shall see.....

sometimes problem of resistance between removable shell catridge jacks/contacts and RCAs is in the oxidized contacts, need to check both, shell and arm side. 

before messing with tonearm wires, I would reccomend to check each wire resistance, between arm cart-side and RCAs. if resistance of each wire is under 0.08 Ohm, I would it leave as is! MM carts are less sensitive to arm wires resistance, MC carts have some sensitivity to it.. 

@westcoastaudiophile I will measure the resistance from cartridge clip to RCA cable end and determine the resistance.  80 milliohms seems pretty small at first glance, but I will check it and report back.