High Value Phono Stages


The current phono stage is an Esoteric E-03, which I am quite content with. I have an Origin Live Agile w Transfiguration Proteus on one input and an OG Kiseki Blackheart on an Audiomods 12" Series 6 on the other. 

I have a third tonearm, an Audiomods 10.5" Series 6 in the system with a Benz Micro Glider on it going into the onboard phono stage of the Trinov. Which is OK, but not excellent. I have a 4th tonearm that may come into play some day. 

So what do you like in good quality phono stages that may not be TOTL pieces. I know the Darlington is a popular answer. Graham Slee often is. Some folks like the SOTA Pyxi. 

Thoughts on output devices, topology and so forth are certainly welcome. Not a SUT user so that is not on the table. I have to admit that small format stages are interesting, like the Ray Samuels Nighthawk. 

 

Any thoughts?

neonknight

I’m now using a Boulder 1108, after previously using a Naim Superline/Supercap, and a Herron VTPH-2a before that.

I love the Boulder for its two independently configured inputs and excellent performance. This may well be end game for me.

I have a turntable with three tonearms. Even though I have just two inputs on my Boulder it’s rather trivial to move a phono cable from one arm to another by reconnecting the DIN (i.e. tonearm) end of the cable.

The Accuphase C-47 or recently released C-57 accepts 4 inputs and is probably amongst the best phono stages currently available.