Check this out: (Eumir) DEODATO Rhapsody in Blue CTI Records 1973
Share some under appreciated jazz album titles
I’ve been on a journey to discover more older jazz albums deeper down the catalog that share two traits; I like/love the music and the recording shines, quite possibly unexpectedly. By that I mean, I probably have a bias that leads me expect recordings from the fifties and sixties to be less detailed or “audiophile” than more recent recordings. I’m finding this bias to be truly misguided to say the least.
Please share some of your favorite lesser known jazz gems with both traits. To roll the ball… Dave Brubeck “In Time”, Johnny Hodges “Not So Dukish” and “Gerry Mulligan Meets Johnny Hodges”
Yes, I’ve been on a Johnny Hodges kick lately
happy listening everyone
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I hate to break it to you but those early recording were produced by independents and were recorded in living rooms and broom closets! In the case of Blue Note, Prestige, Savoy, and others were for the most part engineered regardless of the label by Rudy Van Gelder in the same locations only the producers were different and since Rudy was quite the "yes man" he tailored the sound to what they wanted. Atlantic was mostly engineered by Tom Dowd under the supervision of Ahmet Ertegun (who founded Atlantic) and his brother Nesuhi who went on later to sign such class acts as Led Zeppelin and Bad Company to name a few. Candid founded by Archie Bleyer and Nat Hentoff and Riverside by Orrin Keepnews who along with other labels, were also tiny operations but yet brought to the forefront all of the burgeoning talent of the time that we revere today. You could also consider them cutting edge with all of the stereo recording technology being introduced and the technological hurdles that were overcome to produce the stunning jazz recordings we still enjoy today. |
Thanks for the info. I pulled this off of google ai. Rudy Van Gelder started recording professionally around 1952-1953 in his parents’ living room at 25 Prospect Avenue, Hackensack, New Jersey, which served as his first studio before he built a dedicated facility in Englewood Cliffs in 1959. His first Blue Note session, with Gil Melle, brought him to Alfred Lion’s attention, launching his legendary career capturing iconic jazz records in that home setup. Key Details:
The 1959 Rudy Van Gelder Studio Rudy Van Gelder in his first studio in Hackensack, NJ ~mid-1950s
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