I always thought the fifties and sixties were the the best of times of putting jazz music on wax? Even the mono recordings were killer. With all those ooey gooey vacuum tube recordings with the best engineers, studios and producers on the planet.
By that I mean, I probably have a bias that leads me expect recordings from the fifties and sixties to be less detailed or “audiophile” than more recent recordings. I’m finding this bias to be truly misguided to say the least.
Or maybe you’re saying the same thing as I am?

