What Does 80 Grand Get You Nowadays?


A system was playing in a shop. I sat down and pretty soon I thought gosh, I’m glad my system sounds better than this.

That system - just preamp, amp, and speakers - cost about $80,000 new.

I didn’t make the speakers at first, because Sabrinas look far better than the usual Wilson house look. They were driven by one of those new high-end Marantz amps, and I don’t think that was a match made in heaven. The Marantz was driven by a Dan D’Agostino pre that looked like a Minion had been crushed in a hydraulic press. Audiophile music was streaming, but I did not catch whence issued those dulcet ones and zeroes.

I suppose that system constitutes high-end for some. Now, it certainly sounded competent, but it also sounded boring. I thought, this is the Audi SUV of audio: competent and boring.

Conversely, I was impressed and pleased to no end that the end sound of my modest system from the last century could play in the same league as an almost-six figure modern system, and do so in a more engaging and fun fashion - to my ears, at least.

I’m biased, of course; and I am certain many high-priced systems out there leave mine in the dust. Still, I would have thought $80,000 guaranteed a better baseline sound.

How about you, have you heard a lot of gear whose sound was way out of whack with its price?

 

devinplombier

Having compared the amplifier section in a Marantz PM10 with C-J, Audio Research, Krell, D'Agostino, the P.S. Audio hybrids, and Accuphase, within the past year, I am respectfully suggesting you need a hearing test.  They all sound slightly different, but the differences are very nuanced.  None can in any way be characterized as rolled off or constipated.  It is certainly reasonable to develop preferences, but any of these amps would be acceptable to any reasonable person.  Personally, I hear greater differences in preamps, phono stages and even perhaps in cables.  None of these differences can be compared in any way with speakers or room acoustics.   

 

 

P.S. I forgot my friend's Mark Levinson, he would never forgive me for not mentioning his amp.  

$15K for Yamaha NS-5000's (with powerful class D amps) is all you need to spend. I attend quite a few live music venues in Las Vegas so I do not try to equate my home system with what I hear in shows. It's not going to happen unless you own a 500 seat hall with line arrays and cash flow to book good artists. 

Recall I write "all you need to spend." You can do it for less. Price is like the number of flips a gymnast can do, degree of difficulty. $80K for a system is not that difficult, compared to $5K. The Yamaha model I cite was done by a team of young engineers in the world's largest musical instrument company leveraging tech synchronies from their other divisions. No "high end" brand has these resources.

I'd be much more concerned with the cables and interconnects and if they had any tuning dots or hallographic soundfield "optimizers" in place. Those make more difference with the sound than any component except maybe speakers. 

 

(sarcasm for the humour impaired)