We went thru the anti-skate wringer in the other thread, I think worth careful reading, I put a list of simple tools and methods there.
First, verify all else is properly mounted, aligned, calibrated, anti-skate is LAST!
https://forum.audiogon.com/discussions/anti-skate-weight-better-sound-without-it
- Anti-Skate (one hand always on the arm lift lever)
- Use blank side of LP, raise arm, get platter spinning 33 rpm.
- Lower arm, it gets pulled into the center, that is natural skating force
- add a little anti-skating force, lower arm, a bit more. Check it at various distances from the outer and inner grooves. Find a compromise, if any allow a speck of inner skate, avoid outer skate.
- Final, by ear, using the LP, last 2 tracks, 3 guitarists play, imaging reveals their placement, verify you can hear John in the middle and the others left and right.
finishing by ear, with an LP with no sounds except 3 guitarists, and excellent imaging, no golden ears required, anyone can hear when Paco/John/Al are distinctly L/C/R.
https://en.wikipedia.org/wiki/Friday_Night_in_San_Francisco
- Use CD version to confirm all system connections are good for L/R Balance
- AFTER 1 above, Use LP version to refine anti-skate by ear
.................................
I had a 12.5" effective arm, it needed some anti-skate. Every arm is unique, I would take control rather than trust that long arms don't need it.
I prefer lighter tracking cartridges. One of the side benefits is that inward skate is relative to downward force, sooooo, less anti-skate will be needed if/when tracking lightly, and any error, will be LESS forceful

