Some recordings are "cut" hotter than others. There is also the ambient noise of the listening room to take account of, leaving to one side the noise threshold of the system itself. Using high sensitivity speakers (104db), I had to work like the devil to quiet the system from inter-component grounding anomalies and to ensure that the power feeding my system was quiet without using "conditioners." All that said, I can hear the program material at low volume, but to energize the fairly large room my main system is in, I do need to give the system some gain.
I've mentioned this before, but every recording seems to have a "natural" volume at which it sounds best. I manage to avoid having the system "play at me" or sound like a reproduction system; instead, I'm able to get a pretty organic sound that appears from a silent background. Granted, there is considerable variability in different records; but I don't let sonics dictate my preference of listening material. Most of what I'm listening to is small combo jazz on records manufactured in the early-mid '70s, which was a nadir of vinyl production in the U.S.

