Garrard 301 - Project


I have been contemplating for a while which turntable to pursue given so many choices. Every time I look around, I just can’t help drooling over a fully restored Garrard 301 or 401. Aside from being an idler-drive, I keep reading and hearing about their unique ability to reproduce music with its sense of drive and impact thus making them very desirable to own. And with available meticulous restoration services and gorgeous plinth options, what’s not to like, right!

Would you please share your experience, good and pitfalls (if any) with a restored Garrard 301 to avoid before I go down this path.

And what about the IEC inlet and power cord, would they be of any significance. My two choices would be Furutech FI-09 NCF or FI-06 (G) inlets.

I have already purchased a Reed 3P Cocobolo 10.5” with Finewire C37+Cryo tonearm/interconnect phono cable with KLEI RCA plugs option.

Still exploring Cart Options, so please feel free to share your choice of cart with Garrard 301 or 401.

And lastly, I would like to extend my gratitude to @fsonicsmith, @noromance ​​​​@mdalton for the inspiration.

128x128lalitk

I saw some nice simple round wooden feet at AliExpress. Perhaps ask them for 4 simple square or round legs, you pick diameter i.e. 60mm and thickness i.e. 40mm, forget stud, just matching wood for double face attachment.

My JVC Plinth legs provide +/- 40mm clearance (adjustable). You need clearance for the tonearm cables, more if DIN below. They make right angle DIN Connectors, Pine Tree Audio made me a special din/rca phono cable for my Mission Arm to my SUT.

btw, I never realized, with 2 arms, you need a way to select which arm goes to the phono stage. My Vintage McIntosh Preamp has two mm phono inputs, then I added a 3rd arm, I got lucky, my Fidelity Research FRT-4 has 3 front selectable inputs, one phono out to MM phono 1. Pass is a good feature if you change from MC to MM occasionally on either arm.

My friend's Luxman 444 two arm deck has it's own built in a/b box, a nice feature

@elliottbnewcombjr

The 2nd arm option is low priority for me. It’s nice to have that option in case I decided to sell the TT down the road. For flexibility, I ordered 3 extra headshells so I can switch out carts on the fly 😊

I am starting out with Konus Audio Vinyle 3000MC phono which is immune to cart output. For comparison, I plan to bring Tron Convergence Phono Stage. I was very impressed by Konus phono in a sub $75K system last year at AXPONA.

 

Update: Garrard 301 expected to be here this week. Is there a maximum recommended length for IC between phono and Integrated? I may end up needing a 4M ~ 5M single ended Interconnects for a preferred placement. 

Max length is iffy in RCA and very doable w XLR. the RCA depends a lot on the RF situation, grunt and drive of the phono stage output…. Maybe trial the RCA w a reasonable cost but well shielded Mogami….

The matching of cartridge to an analogue rig is primarily a consideration of the tonearm.  The Rosewood Signature Platinum is best used with a high effective mass tonearm.  The cartridge will sound very good even when the match is not ideal, but, it will sound its best with such an arm.  My local dealer sold a lot of those cartridges, mostly with Ortofon arms, and mostly with Garrard 301 and 401 and Thorens 124 tables.  I don’t know why, but he did not like AudioSilente idler wheels.  Unlike most fans, he also prefers the oil bearing to grease bearing; he said that the grease bearing sounds good, but it takes a very long time to heat up and sound good.