Why so underwhelmed by Revel F208 audition???


After much reading my local dealer finally got in a pair of Revel F208 speakers to audition. After playing my usual demo songs I was sorely disappointed with the sound.
They simply had no life. The strings that sparkled on other systems sounded like cardboard (ok, bad description but you get my point). They bass did not move me at all.

Was it because:
1) I wouldn't know good music if it slapped my in the face?
2) I was actually auditioning the electronics more that the speakers?
3) I've become a music snob and only the best will do?
4) They are not properly broken in?
5) The speakers really are cr@p?

After reading that 3 different reviewers use the performa's (f206 or f208) as their reference speakers, it's really hard for me to believe number 5 - that the speakers suck

I've been a severe critic of bad sound and a conosour of fine music my whole life so I hope number 1 isn't true:(

The sound from my main system is breathtakingly beautiful. It consists of a Metrum Hex Dac, Benchmark DAC2 Pre preamp, Bryston 3B Sst2 power amp, PMC 22 speakers flanked by 2 Rythmik F12 Subs. The DAC is very rich and analog sounding and the rest of the system is very transparent. Stunning sound. So I have very high standards to reference these speakers against. Maybe I am just expecting too much from the Revels? So number 3 might be somewhat true???

The F208 speakers where being fed by an arcam CD player and an arcam a39 integrated amp. Perhaps this can not compete with my home system? Is number 2 correct and I am really just auditioning the electronics?

Break in can make a big difference in speakers. Maybe they need hundreds of more hours through them? I need to check on number 4.

Or maybe they really are that bad and everyone who has reviewed them is a big fat liar?

Who has heard these and can make a comment???
earlxtr
The "class G" design of the Arcam A39, as explained here, is radically different than the designs of most amplifiers having high end aspirations. And despite the high efficiency provided by that kind of design (resulting in reduced size and weight relative to power capability) it doesn't seem encouraging that the A39 weighs a grand total of only 25 pounds. Especially considering that it is a fully integrated amplifier, including even a phono stage as well as preamp and power amp functions. Nor does it seem encouraging that while the impedance of the F208, as shown here, dips below 4 ohms at a number of frequencies, the 240 watt rating of the A39 into 4 ohms is specified on the basis of only one channel being driven (while the 120 watt 8 ohm rating is spec'd for both channels being driven).

Also, the A39's extremely low harmonic distortion rating of 0.001% at 80% power into 8 ohms is suggestive of the possibility that feedback has been applied in, um, a liberal manner in the design, which is also not encouraging with respect to its sonics.

So although a combination of factors may have been involved, given the uncertainties about both the intrinsic sonic characteristics of the amplifier and how good a match it may be for the particular speaker, I doubt that a meaningful conclusion about the speaker can be drawn from this audition.

Regards,
-- Al
You can't judge speakers based on hearing them in different rooms. The room/speaker interface has a huge effect on the overall presentation. Or it might be any of the other things you mentioned.
Thank you for your responses!

I agree with the statements made so far. My first thought when listening to the speakers was that that electronics was the issue. When I left we agreed that I needed to bring down my system to drive these speakers. I've got a 4B SST2 to drive these speakers which should provide plenty of power. See how that goes:))))
IMHO, I think it was a combination of the wrong electronics and the speakers weren't broken-in yet. These will take several hundred hours to be fully operational and sound good.

I've never really been a fan of the Revel stuff, but I know they can sound very good.