Anyone dislike Ohm Walsh speakers?

I think this is part of Ohms problem, quality is so variable at times, and it is frustrating! Who wants to wait even longer for something that they have already waited a long while for, only to have to send parts or the whole speaker back?

I ordered a new pair of MWT’s back around 2010, they were supposed to be “new”. I got them and it seriously looked like they were recycled cabinets, the bottom plinths of both speakers were scuffed all up like a pair that had been around awhile. The veneer was bubbling and actually coming off at the seam. And just looking at the driver cans, it looked like they had collected enough dust and grit that the inner foam lining was covered. Not to mention the cans themselves were crazy crooked/lopsided. 
 

I won’t even begin to go into all the issues that I had with my 2000’s or 3000’s. To me, it was a general lack of care or quality finish. Yes, they sounded good, but it was a frustrating experience, the 3000 drivers went back twice before things were right. 
 

I don’t mean to disparage Ohm here, as I do love the sound of the CLS/Walsh speakers, just really hate the hit or miss quality aspect, especially for what one pays for them. Sad thing is, I know that they can do decent work! I’d really love to buy a pair of 1000 Talls for a room I am looking to set a system up in, but I really don’t know if I can stomach what I might get, and the pain in the ass I’d have to go through to get it fixed. 

Cheap crossovers were previously mentioned by @ oldhyvec, I think. This seems to be a common problem. In my Magnepan 1.7s, the crossovers were cheap junk. Asi Teknology rebuilt them and moved them into an external box. Strikingly positive sonic improvement.

@jaymark -- my understanding of most Ohm Walsh speakers is that the main driver has no crossover and runs up to 8KHz or above, and that the single tweeter just uses a single capacitor to cut off frequencies below that point. To my mind, that high frequency -- well beyond the fundamental frequencies of any voice and almost all instruments -- makes the crossover design far less critical than most other speakers where crossover takes place in the middle of the range of fundamental notes of all vocals and almost all instruments.

Old Ohms and new Ohms are not the same Ohms.

@unsound -- you're right. I had a pair of the original Ohm Fs back in the mid-1970s.  They had no tweeter, but the cone was made from different materials -- metal at the top to handle highs, but bonded to a paper at the bottom.  Any original A and F speakers are almost certainly non-functional unless rebuilt, and Ohm Speakers hasn't done that for years, though a couple of other companies will do this.

The current Ohms use a more conventional cone, but do include a tweeter, but it is crossed over at a very high frequency, so the main speaker still provides the bulk of the sound.