@soix makes a good point. I also find that newer music which has been natively recorded in hires, then mastered at a high sampling rate does often sound better than the "CD quality" version on Qobuz. Music from the 70s, 80s, 90s has been subjected to digital processing from analogue and upsampled. And the provenance of the source must be considered; eg, is it an original analogue master or is a later generation used, or maybe it’s a remaster that’s being used as the source and converted to hires for streaming.
This is another possibility where the album was not subject to the Loudness Wars.

