Atma-Sphere vs. Supratek


I placed an order last year for a Supratek Cortese LCR preamp; it will still be a few months until it will arrive at my home in Silicon Valley. Meanwhile I keep reading good things about the Atma-Sphere MP-1 and Mp-3 instruments. Can anyone voice an opinion about those two brands, both hand-made tube machines in a similar price range? I listen to all kinds of music, including opera, mostly on vinyl [Basic 2200 Signature with Vector 4 arm and Benz Micro LP-S cartridge, Sunvalley phono stage with EMIA SUT, MSB Platinum Signature CD transport and DAC, LinkwitzLab NCore6 active crossover/amplifier, and Linkwitz LX521.4 open-baffle speakers (best speakers I have ever heard)]. For preamp I am currently using Ed Shilling’s The Truth. For me a natural-sounding soprano voice is the pinnacle of well reproduced music.

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Mick's : Lifetime warranty.. Has a stateside tech..

Ralph's : 3 year warranty - Will renew warranty upon reevaluation & will upgrade if you so choose.

Ralph's are twice the price of Micks,

More tube rolling fun with Micks for sure,

Both will answer questions and give attentive service. Though I bet Ralph is superior at this. Mick occasionally does not follow thru on commitments...

Even though I should be in this "Fight"... I don't have any experience with either, but I have read enough over the years of what others have said.... They are both good and you should audition both !!

Resale is great for both !! 

Mick has gone above and beyond helping me with some stuff ... can't thank him enough...

Both have had failures, everybody has problems occasionally...

 

 

I started with an A-S MP-3 and moved up to the MP-1. I was using an Audible Illusions preamp and was set on adding a Zesto phono stage. But after quite a few talks with Ralph and owning the great M-60s, I came to understand that the Atma preamps were unique in many ways. Significant ones that they are one of the very few that meet the true balanced standard. And, most important, they are designed from the ground up to play vinyl. My MP-1 has 14 tubes and 8 just for the built in phono stage. Being such an incredible “phono machine” . Not merely an add on phono stage or separate phono stage. You can sell your phono stage and the extra IC. I seriously doubt that the MP-3 or, especially, the MP-1 would not be way better than using your phono stage. Ultimately, I love not having to use an outboard phono stage. Keep it simple stupid-KISS.

The linestage in the Mp-1 i would say is excellent, very dynamic and transparent, one of the best that i have encountered in a preamp.  The built quality i wouldn’t say is top notch,  the chassis is cheaply made and the silk screen lettering are poorly put on, would fade after usages.  The phono section with 8 12at7 can be extremely noisy,  even at medium output say .5mv. still noisy As Hell,  finding tubes to match the phono can be a nightmare!!  Overall Linestage Excellent but the phonostage Is Junk! 

My Phono Stage in the MP-1 is dead quiet, if you use noisy tubes you’re gonna get more noise.

Nos Tubes dont work in the Phono Stage they are just too noisy. The Phono Stage runs fully balanced, i have balanced cable going into it. It is by far one of the best sounding phono stages i have owned. The Phono Stage alone has outclassed other standlone units that cost north of 20K so having both a Line Stage and Phono In one unit is a big plus.

 

If you’re encountering noise in the phono section try to use cheaper quieter tubes this has worked very well for me.

I agree on the Chassis its cheapy looking compared to others. However im paying for Sonics and Reliability not bling bling so it never bothers me much.

You can ask Ralph to build better Chassis for you thicker plates or what ever but be prepaired it will raise the cost much higher. Im more bothered about Chasis but i appreciate the Tech/Circuit Design and the SQ