The first system you had that was "high end/audiophile", by you standards


I did have some others before, but the first system that hooked me on this passion/hobby and would still be pretty good today was:

Stacked Large Walnut Advents, with the top ones upside down so the tweeters were close together,
Yamaha CA-1000 integrated (usually run in the class A mode)
Yamaha top end direct drive turntable (YP-800?) with ADC XLM II cartridge 
Yamaha CT-7000 tuner
Early Monster interconnects and speaker cables 
Advent cassette deck
Teac reel to reel with 10" reels (model ?)

The first thing(s) that were replaced was the Large Advents that gave way to a pair of 
Dahlquist DQ-10.

From that system I have gone on to several others that I have enjoyed, but I do remember that first one.







jusam
In 1969 my first system

Sansui AU-555 amplifier
Sansui TU-555 tuner
Dual 1019 TT
Sansui SP-100 speakers
AKAI R2R

My first “separates” and to my ears, fabulous.  It gave me as much pleasure as my current system: McIntosh MC 501 mono blocks, C220 preamp, MVP871 CD, Mac Mini for streaming and 3.6 Maggie’s.
Circa 1975:
Marantz 8 with original tubes
ADS modified Dynaco PAS 3
Quad 57 ELS
Ariston RD11 (replacing Lenco 78)
Mayware Formula IV (replacing Grado unipivot)
Decca London
NAD 3240
Nakamichi OMS-1A cd player
Alta 0.7 loudspeakers (Southern California company)
Monster Cables

Circa 1987
@whart , I sold the 7C years ago. The pots had become scratchy and the switches needed to be replaced. They were beyond cleaning. I never thought it would be worth much even though it was a great sounding preamp. Imagine that driving two Model 9's and K Horns or KLH Model 3's. (you could not get both volume and finesse in the day) That was ultimate back then. 

The Phase Linear 700 really got an unfair reputation. It was a much better sounding amp then the Crown D150 and driving a 4 to 8 ohm load it was perfectly reliable. With the 7C providing the tube character and the 700 the power it really was not bad at all. Back then I had no idea what real imaging was. Everything was 2 dimensional. I did not know about the third dimension until I heard it in 1979 in a high school teacher's system. It was about that time that I started working with Sound Components and became immersed in the audiophile world. I vividly remember my first exposure to the HQD system. Peter McGrath, the fellow who does those amazing recordings was the owner of Sound Components at the time. He put on this audiophile organ recording to get the Hartleys going and the top Quad on the left side blew. He got a step stool and yanked the blown Quad out of the wooden stand and jammed a new one in there in minutes, obviously very experienced at this. He lit it up again and the Decca ribbon tweeter on the left blew. Took him a few more minutes to replace the ribbon. Between these huge speakers was a matching wooden stand with 6 of John Curl's 25 watt Class A amps in two stacks. Very impressive. The sound was impressive, when it was working. In reality I do not think it was all that great impressive as it was. The Quads and Decca tweeters were not near capable of the volume the Harleys were.