"If you have already noticed they only half speed the best recordings in the industry..."
The one that got away...
Acoustic Sounds
Half speed masters. Are they worth the extra scratch?
"If you have already noticed they only half speed the best recordings in the industry..." The one that got away... Acoustic Sounds |
I've got a half speed master of The Police ’Ghost In The Machine’. The drum intro for ’Spirits In The Material Wild’ will knock your socks off. You hear the air and decay on the drums. Impact and attack is startling to say the least...the toms sound like they were in the room. I think having a dialed in Technics 1200G with a nice microline stylus certainly helps. But yeah, well worth the little hit in cost. |
I've mastered a handful of releases at half speed, have one to do in 2 weeks time for a composer from the Bavarian State Opera who's completed a modern chamber music / electronic hybrid 2xLP. I find that works with vast dynamics suit half speed, as well as very quiet works where surface noise is a real threat, not to mention pre-delay. And then there is DMM. There was a moment after the Apollo Pressing plant burned down where it was assumed there'd be an uptick in DMM, but thankfully none of my business was with Apollo so I got out unscathed. However, there are still DMM diehards, if you can find the machinery. I recently saw this article (below) and this studio offers DMM dubplates for 700eu! Not to say I don't have $1000+ records and loads of one-off dublplates, but nothing this extreme and purist! Might have to try it someday. https://www.psaudio.com/copper/article/copper-listens-to-copper-stockfisch-records-dmm-dubplate-vol-... |