Initial disappointment with 1st set of “expensive’ IC’s...


I’ve been slow working my way to equipping my rig with all Cardas as I’ve been fan of their quality/sound signature an for a long time. I just received 2 sets of Clear Light IC’s which I’m using DAC to Pre and Pre to Amp. up until now all other Cardas cables that I have were obtained used and sounded great from day 1. The Clear Light however are brand new..when I sat down to give them a listen I was surprised not to hear any improvement...I was actually disappointed to hear what I can describe as a fatter bass and subdued upper end. My prior IC’s were Shirokazu Yazaki Belden 8402. I admittedly do not have golden ears but the difference was obvious. I’m interested to hear what other Cardas owners have to say about how their cables sounded when 1st installed. 
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@millercarbon
Diminishing returns is the point where I can not detect any improvement with a more expensive piece of gear. I’ve listened to systems that have absolutely jaw dropping resolution and other than pointing out an obvious sound signature, I couldn’t tell you the difference between two different sets of speaker cables. No way. How audiophiles are able to pick out micro nuances at such a high level of resolution and realism remains a mystery to me...I’m not saying it’s impossible, I’m just saying that I’m not capable of it at that level.
Well OP at least your honest with yourself and others. Some would have us believe their word is gospel. It’s not. If you can’t distinguish between different cables, join the crowd. A LOT of the old zips and off the spool cabling were OK.. BUT a sonic difference?.. More like ear plugs in your ears..

Things have changed..

Cables BREAK IN, they don’t burn in, for the 10,000th time.. Things BURN UP, they don’t burn in. The exception is a "24 hour burn in" on valves (tubes). Everything BREAKS IN.

Copper if it’s assembled correctly by LOOKING at the way it was put through the dyes, assembled, and conditioned (cooked), makes all the difference in the world. From plug in, to rout and play. It takes about 24 hours and up to 100 hours or so with copper. Silver and silver clads.. hundreds of hours..

The CRAP people say... 1940s crap from some long lost dead guy’s quote from Mcintosh... or something.. EVEN Mcintosh change their tune about cabling.. Took long enough.. Over 15 years NOW...

Blind testing cables is worthless, just worthless... No reason to do or advocate it. We are not trying to please the masses, just ourselves. What part of ME not YOU don’t folks understand.. Stereo ism, is not the same as McDonald ism. Quit lumping toaster repair standards in with listening to a stereo and it’s cabling.. Different comes to mind...

Must be tough not to be able to LEARN with a SEA of information to the contrary. Just amazing.. I know we are the only one’s in the the whole universe too.. Look up for God sakes...

Wake up CAVE MEN and WOMEN. It’s quite all right to admit your wrong.. But argue cable DON’T make a difference or they BURN IN.
At least act like you’re smart.. Quit showing you’re DUMB.
Mouth shut, ears open... what a concept..."It’s like teaching Klingons". (Grand Nagus Zek, Star Trek, SD9).

Semi Regards... A 5 out of 10 on the regards scale...
I wonder if anybody has ever put together two identical systems except for the cables and done  listening tests? Seems like the only way to get around the qualifiers that you can’t move a cable and it Has to burn/break in for hundreds of hours. Any dealers out there who have tried this?
@oldhvy With respect, can you explain why people getting the terms “break” and “burn” conflated sets you off? I am asking dispassionately. What is it about that misuse of language that mangles the logic of the topic? You don’t seem the sort of guy to nitpick, so I’m honestly seeking your clarification. 
" The difference between cables should be obvious the moment you swap one for another."

Not true, that is why A-B tests are flawed. Many times I have been listening to familiar music and heard sound clues I had never heard before, weeks or month later. That brush stroke, fingers rubbing on guitar strings, increased or diminished depth or width, background sounds created by the musician touching the instruments, decay, pitch, vocals becoming more clear or smeared, etc.

If one hears a difference in a A-B comparison in an instant, how can one know it is better or worse, long term?