New Dynaudio Heritage Special..?..!

It's hard to make a judgement about anything based on what Steve Huff says. He seems to be sincere, but I don't think he realizes yet his own pattern of being in love with being in love with components he reviews, and then proclaiming them to be the best ever...until the next one comes along.

Roxy...Exactly!    Ianrmack missed his raving about the PassINT25 and how its better than the VinnieRossi.  Lost all cred right there. Then he said he thinks he's done and the 250INT shows up.  Cant wait for THAT review.  Its like a Pump and Dump Carnival barker.

Seems like this thread is turning into a make fun of Steve Huff thread.

As an owner of the Heritage Specials, if anyone has any specific questions I can answer, please ask.

@kenjit probably not actual wood- mdf ; easier to route and less variance run to run on CNC machines; Based on volume buys I bet raw BOM cost for these handsome cabinets is about 1k;  Add in the NRE of engineering design to get that BOM, COGs just sky rockets; 
Inflation is here btw;  
Try buying 2x4's and sheets of plywood; Crazy town

@wjob, I'm considering purchasing the Heritage Specials.  You mentioned that these are the best monitors you've ever heard.  What monitors have you experienced prior (owning or testing)?

How would you describe the tonality of the upper midrange and the bass? I love a little of the V curve (tilted up in treble and bass) but mostly desire neutral tone. 

Would you say the speakers work well with most types of music especially orchestral pieces?  My hope is that it has great soundstage that extends beyond the boxes from sided to side and back and front.  Imaging is important to me as well although it doesn't have to etch out and place each instrument or musician in its place.  Could you speak to how the Heritage Specials do with soundstage and imaging?   

Thanks for all your help...your assessment will be super helpful!