Better Records White Hot Stampers: Now the Story Can Be Told!


Just got shipping notification, so now the story can be told!

  Better-Records.com is a small, incredibly valuable yet little known company run out of Thousand Oaks, CA by Tom Port. The business started out many years ago when Tom Port noticed no two records sound quite the same. Evidently Tom is a sound quality fanatic on a scale maybe even higher than mine, and he started getting together with some of his audio buds doing shoot-outs in a friendly competition to see who has the best sounding copy.   

Over time this evolved into Better-Records.com, where the best of the best of these shoot-outs can be bought by regular guys like me who live for the sound, but just don't have the time or the drive to go through all the work of finding these rare gems.

The difference in quality between your average pressing and a White Hot Stamper is truly incredible. If you don't have the system or the ears of course you may never notice. If you do though then nothing else comes even close.   

Tom will say things like only one in twenty copies is Hot Stamper worthy. This doesn't even come close to conveying the magnitude. Last night for example, wife and I were listening to our White Hot Stamper of Tchaikovsky 1812. Then we played another White Hot Tchaikovsky. Then we played the Tchaikovsky tracks from my copy of Clair deLune.  

Without hearing a White Hot you would think Clair de Lune is about as good as it gets. After two sides of Tom's wonders it was flat, dull, mid-fi. Not even in the same ball park. And yet this is quite honestly a very good record. How many of these he has to clean, play, and compare to find the rare few magical sounding copies, I don't even know!  

Copies of Hot Stamper quality being so hard to find means of course they are not always available. This is not like going to the record store. There are not 50 copies of Year of the Cat just sitting around. Most of the time there are no copies at all. When there are, they get snapped up fast. Especially the popular titles. Fleetwood Mac Rumours, Tom Petty Southern Accents, whole bunch of em like this get sold pretty fast even in spite of the astronomically outrageous prices they command. Then again, since people pay - and fast - maybe not so outrageous after all.   

So I spent months looking, hoping for Year of the Cat to show up. When it did, YES! Click on it and.... Sorry, this copy is SOLD! What the...? It was only up a day! If that!  

Well now this puts me in a bit of a spot. Because, see, besides loving music and being obsessed with sound quality, I'm also enthusiastic about sharing this with others. With most things, no problem. Eric makes an endless supply of Tekton Moabs. Talking up Tekton or Townshend or whatever has no effect on my ability to get mine. With Better-records.com however the supply is so limited the last thing I need is more competition. Bit of a bind.   

Even so, can't keep my big mouth shut. Been telling everyone how great these are. One day someone buys one based on my recommendation, Tom finds out, next thing you know I'm a Good Customer. What does that mean? Well is there anything you're looking for? Year of the Cat. That's a hard one. Tell me about it. Might take a while. Take all the time you need. Just get me one. Please. Okay.  

That was months ago. Other day, hey we're doing a shoot-out. No guarantees but should be able to find you one. So for the last few days I was all Are we there yet? Are we there yet? And now finally, like I said, shipped!  

So now I have my Grail, and the story can be told. Got a nice little collection of Hot Stampers, and will be adding more, but this for me is The One. Might not be for you, but that is the beauty of it all. Many of us have that one special record we love. If you do too, and you want to hear it like listening to the master tape, this is the way to go.
128x128millercarbon
There was a story some years ago in Stereophile, anecdote really, guy who made turntables was doing a demo at a show. Some people bring their own records to play. One time a nice old man asked to please play his special record. One of these very old ones from back before RIAA was standardized, different records required different EQ. Which this guy knew, and had brought his to their room because they had the flexibility to pay it right. 

So he sets it up and puts it on and it is some strange whatever he never heard, certainly not the greatest demo disk that's for sure. The old gent is sitting dead center rapt with emotion tears streaming down his face.

So, yeah. What it's all about.
Hey Chuck,
What are your recommendations for WHSs?
How many do you have?
Are all those WH pressings also great masters?
Thanks

Hey Chuck,
What are your recommendations for WHSs?

Already said- if you can find one you really love, and will enjoy hearing it sound like never before, enough to be worth it to you. In other words exact same as anything else.
How many do you have?

Don't know. Not like I keep a list or anything. Going from memory:
Rumours, So, GBYBR, DSMIOTPP, Honky Chateau, Nilsson Schmilsson, Little Touch of Schmillson, Southern Accents, Damn the Torpedoes, Mel Torme Swings Schubert Alley, several Tchaikovsky, couple Mozart, Beatles Help, Neil Diamond Taproot Manuscript, maybe a couple more.
Are all those WH pressings also great masters?

Like I said, they are great pressings. Already said some like the Beatles are what they are. The recording chain from artist to listener is a long and winding road. Let me know if you need more help navigating.
Thanks

You're welcome.
"Don't know. Not like I keep a list or anything. Going from memory..."

That is about twenty. At a going rate of $350 a record (not adjusting for double albums) it is around $7000. Which is respectable sum for a few fews of records. In fact, it is almost as much as stock Tekton Moabs and Raven Blackhawk together.

So, surprise, millercarbon is an audiophile music lover after all. He does put more into records than into his equipment. Hats off.