Is my anti-skating too strong.


I’m trying to adjust the alignment of the Ortofon Black Quintet cartridge on my Music Hall mmf 9.3 turntable.  When I put the stylus down on the alignment protractor, the tone arm pulls to the outer edge of the turntable.   Should I disable anti skating when doing alignment or is it set too strong?  Obviously haven’t done this too often.
Also, when listening to the anti skating track on The Ultimate Analogue Test LP, there is noticeable distortion at the end of the track which indicates too much or too little anti skating.  Any guidance here?
udog
Fremer disagrees with Schroder and Ledermann?  That certainly gives them a LOT more credibility.     

I have used Ledermann's method of anti-skate adjustment with very good results.  And a resulting very low anti-skate pressure.  And the cartridges in question were ones that Fremer reviewed very favorably.  
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@larryi2    

It should also be noted that the amount of anti-skate needed can vary from record to record and even across the surface of a given record.  So a general estimate is all that may be possible.  And once that happy medium is found, it's very doubtful that even a careful listener will hear the difference from record to record.
@bpoletti , doubtful? Michael Fremer can:-)  I have a Schroder tonearm so you know where my affections lay. 

I am not sure where the 10% of VTF came from but It seems to be the consensus in the industry. 
I use to use a test record with four increasing groove velocities. The consensus is that this overestimates antiskating but then wouldn't you want the antiskating set to track the most difficult passages? The issue is after all tracking or miss tracking. The lower velocities will track fine even if the anti skate is overestimated. It is nice to have a specific target number (even if it is just an averaged value) Makes me feel better.

@larryi , I really like your analogy with the arm. I think it is easier for people to understand than the water-skier analogy. 

Can a tonearm be made that does not skate? Theoretically yes, in reality probably not. But, you certainly can make one that skates very little. The Reed 5T and Schroder LT are good examples. They have to be perfectly set up and the tonearm has to be dead level. Keeping everything perfect is an impossibility so, there is always going to be a small amount of skating...that only Michael Fremer can hear.
Mijostyn,

I also find the Reed T5 and Schroder LT approach interesting.  Both arms are based on the Thales circle geometry and achieve close to perfect tangency and do so without an offset angle that creates skating force.  At least theoretically,  the Reed T5 is a touch more elegant because the movement of the arm pivot is achieve by using a laser sensor to detect loss of tangency and a motor to then rotate the arm base to move the pivot point, while the Schroder LT requires the arm to pull the base into a new position.  Of course, the simplicity of the Schroder approach is a big plus for that design.  If I were to change my arm (Vector 3), I would certainly consider both of these arms.  About three years ago, I talked to a Reed representative at a show and found out about the bad news on the T-5--it costs something like $18k.