- if you took a cross section view of the wire inside the tube it appears as a small circle inside a large circle, so the point of contact is extremely small and only every a single point of contact, because if one side is touching, the other side is not
- it does not collapse when bent gently- but even if the tube collapses at an "L" shape bend - the surface area of contact is still extremely small.
- The degree of dielectric effect comes from the amount of insulation actually touching the wire, which in this case is about as low as you can "humanly" achieve.
- so the bulk of the dielectric for this approach is actually AIR
- The oxygen in the air is unable to permeate through the Teflon - good for limiting oxidation
- Sealing the tube at both ends is an effective method to minimize oxidation of the bare wire
Also, thinking back to a few months ago, I had tried a twisted pair of Mundorf Silver/gold wire in cotton tube and eventually found the VH Audio wire with the insulation sounded better, which is another reason I shied away from the cotton insulation this time around.
- I cannot say that the cotton was responsible, but we are all swayed by our previous success or failures.
Right now I am experiencing the most open and detailed image with smooth highs, stunning clarity, extremely fast dynamics and a very articulate and deep bass response.
- Also I have have not observed any anomalies normally associated with burn-in
- which is making me think that burn-in is more about the insulation than the wire?
Nirvana? - perhaps, or it could be just another wire away :-)
Regards - Steve

