Perfect Pop Songs


Those with the kind of music, lyrics, performance, arrangement and production that you could easily repeat all day.

How about starting with this one? Somewhat outside of her usual cannon and none the worse for it. Perhaps also a contender for the sexiest vocals ever?

Louie Louie  by Julie London
cd318

Pop is imo any song with a good melody and "hooky" (sing-along) chorus refrain. Pop songs have traditionally also followed a classic structure (though they don’t necessarily have to): Intro/1st verse/chorus/2nd verse/chorus/bridge (called middle 8 in England)/verse/last chorus/outro. The bridge/middle 8 is employed less frequently now, often ignored by Rock Bands that don’t have a superior songwriter (most ;-). During the Psychedelic period (starting in 1966), Lennon & McCartney started "messing" with the Pop song structure. They---being more-talented songwriters than most in Rock Bands---could pull it off; most didn’t, leading to some of the worst "songs" I’ve ever heard.

A sterling example of a Pop song is "When You Walk In The Room", written by Jackie DeShannon and released by her as a single in 1963. The Searchers covered it in ’64, and was the first time I heard this majestic masterpiece. Springsteen has included the song in his live show, though he as always bludgeons the song to death. Agnetha Faltskog of ABBA (now THERE’S a fantastic Pop Group!) does a great version, found on her My Coloring Book album.

Then there is "What becomes Of The Brokenhearted", originally done by Jimmy Ruffin (Joan Osborne stole the show with her version at the tribute concert for the Motown house band). Written by William Weatherspoon, Paul Riser, and James Dean (not the actor, of course), it is a breathtakingly great Pop song.

Another at the very top of the form is "God Only Knows", written by Brian Wilson (music) and Tony Asher (lyrics), and first recorded by The Beach Boys and included on their Pet Sounds album. Paul McCartney, a pretty fair songwriter himself, has said he considers it the best song he has ever heard. Another stunner by Wilson (music and lyrics) is "Til I Die"---melancholy beauty rarely heard (found on the 1971 album Surf’s Up).

Is Tom Petty Pop? Well, Tom Petty & The Heartbreakers are a Rock Band, not a Pop Group. The Mamas & Papas were a Pop Group, as were ABBA, The Carpenters, and most other Vocal Groups. But a Rock Group can make a Pop record, and many of the best do. Cheap Trick are very Poppy ("Surrender"), but are obviously a Rock Group. The Ramones were also very Poppy (and proud of it. They were thrilled to be produced by Phil Spector---that is, until he locked them in his castle and wouldn’t let them leave), but no one’s going to mistake them for The Association.

A Rock Band performing Poppy material is commonly referred to as Pop-Rock in music criticism, a category that includes a lot of people. Guys like Emitt Rhodes (easily McCartney’s equal in songwriting and singing, and a better drummer ;-), Squeeze, Marshall Crenshaw, Nick Lowe, hundreds of others. Pop songs performed in the Rock style. Though they were about as far from being a Pop Group as is possible, "The Weight" by The Band is a perfect Pop song.

Aren't we overthinking this?  

  • Gary Puckett and the Union Gap - 'Woman, Woman'
  • Marshall Crenshaw - 'Whenever You're On My Mind'
  • Richard Thompson or Marshall Crenshaw - 'Valerie'
  • Rita & the Tiaras - Gone With The Wind is My Love
  • https://www.youtube.com/watch?v=qEI72g-cgjA

Rich 

@bdp24,

"A sterling example of a Pop song is "When You Walk In The Room", written by Jackie DeShannon and released by her as a single in 1963."


Jackie's version certainly is. I think it's a mark of a great pop record that it can be a hit for different artists at different times. The charts are littered with such cover versions. There's probably even a few songs that have been hits for three or more artists! 

I always found it a little odd that my audiophile friends would tend to look down on pop. I know some people say they don't like bands 'selling out' (?) but my friends never articulated just what it was about pop they didn't like.

Or maybe it was the fact that pop didn't always have the highest sound quality in mind that often caused it to be overlooked by audiophiles?  For many other people pop is the goto whenever they get the urge to want the musical equivalent of a sugar hit.

Anyway, in return I would resort to calling  them 'musos'. You know the kind of musicians who fret about dropping a bum note whilst strangely being unaware that 99% of the audience didn't notice and couldn't care less even if they did.

In any case, why does it matter that musicians have to maintain a priest like devotion to their art? Isn't music also supposed to be fun?

Is 'selling out' even such a bad thing after all? Didn't the Clash, the Smiths, and the Ramones all 'sell out'. Even Steely Dan and the Floyd released the odd single, didn't they?

Or is this something that only affects the mindset mainly the most devoted (possibly over-identifying) of fans? 
In my case I was pleased  to be an early Joy Division fan and watching their gradual acceptance into the rock pantheon only went to confirm my taste. I certainly didn't feel disgruntled or let down by that. I don't own any part of Joy Division, and they owe me nothing.

For sure there are some worthy bands who almost only ever made pop music - the Mamas and Papas, the Association, Abba, the Beach Boys etc.

Herman's Hermits were another such great pop band. With so many hits they hardly ever strayed from safe pop territory. On a couple of notable occasions when they did the results were interesting.

Marcel's was certainly a great b side (https://youtu.be/e6fWFFp87xs) but perhaps their greatest pop song was this one.

Silhouettes  by Herman's Hermitshttps://youtu.be/Hs_glAOwbzk