432 EVO

If you've never heard of the 432hz conspiracy hoax then I don't know what to tell you. I don't even know where to start with 432hz tuning as it's so nonsensical. Yes at one time 432hz was used of course so was a dozen other Hertz. It was changed so many times because different societies couldn't agree even on 432 some claimed that the temperature was wrong when they tuned so it wasn't true 432. Temperature does make a big difference which is why an orchestra could tune to A4 at 432 but if the temperature varies during the concert it will change the Hertz or the Hertz could be different depending on what instrument was used to tune the others to. There is this new age gobbledygook going around that 432 is more natural and healing, it's more popular in Europe. 

Like I said if the original music was played in 432 when it was recorded then you're hearing true 432 music. You can download 432hz converters you can change it in Windows player or Audicity as well as others. But you're not getting a true 432hz recording and this niche product is marketed for that niche crowd of 432hz nuts. 

Evo’s web page clearly points out details ,  Djones51 you should read the information on their site before posting any kind of comment though the information just may trigger you once again.

Having read your other past criticisms of other digital brands i find it very curious and laughable you never actually went out to listen for yourself to any said components in any system including your own .

I wonder with all your self proclaimed knowledge your not a manufacturer yourself showing up the audio on how to do it right ,..

I did read their website and the "details" they point out are mostly twaddle. I have listened to a number of digital components. I have no idea what you’re talking about. Now I might not agree with you or with the opinion of a lot of these subjective reviewers but this item is clearly marketed to the 432hz crowd 

HIPP Orchestras get a lot of mileage touting different tunings.  Some of them even have their preferred tuning listed in the name of their ensemble, although I hadn’t encountered this love for 432 before.
Tunings have evolved for a variety of reasons, one of which is thermal stability, another is humidity...I have a friend who plays in an HIPP Orchestra that was complaining bitterly after a Florida tour.
   On a music server, these factors won’t matter, so perhaps there is some logic to it. And digital restorations of historic recordings will frequently correct tuning and pitch errors that they claim were incorporated at the source...check out the work of Andrew Rose and Mark Obert-Thorn, among others.  So I guess a server that digitally adjusts pitch and tuning is the next logical progression.   I would try to keep an one mind until I get to hear it, but I admit that I am biased against the concept of reproducing music recorded at a different tuning than playback.  Call me a Luddite