D'agostino amplifiers: where's the beef?


So I've owned two of the classic monster Krell amplifiers from the distant past, the KSA 50 and later the KSA 250.  Both great amplifiers in their time and both collectible for those interested in that kind of stuff.  I'm generally a fan of D'agostino as a consequence.

I'm currently shopping for a new solid state amplifier to pair with potentially new speakers (Wilson or YG or Von Schweikert or Magico or Joseph - long story for another day).

 So recently while auditioning at my local dealer the system was powered by the current D'agostino M400 mono amplifiers.  While the sound was good I couldn't help but notice how TINY the $65K amplifiers were sitting on stands near the speakers.  OK they had nice metal work and were shiny but I couldn't help wonder WHY are these things so expensive?!  Later at home photo's of the insides of these amps on Google led me to wonder even more!!  The power supplies and interior construction in these things are nothing like the monster supplies and parts in the classic Krell's

Plus while the Krell's were expensive in their day (with great sound) the current D'agostino's have absurd pricing, far exceeding inflation.  

Are people spending this kind of money for fancy heat sinks?  Really?

I'd rather have an old Krell and a new Porsche Boxster or C8 Corvette for the same money.

Any one else have similar impressions?
bobbydd

     Many luxury products are designed, produced and marketed based on the well founded belief that their customers have a surplus of money and a scarcity of sense.  
     The majority of us are constantly required to maintain some semblance of an equilibrium between our money and our sense of what to spend it on.  The very wealthy have no such restrictions, possess the freedom to purchase products based on emotions that a surplus of money bestows and certainly have no responsibility of explaining their purchases to anyone .
     Money equals freedom in direct proportion, the more you have the freer you become and this freedom extends to the ability to buy wisely or stupidly.  I'm pro-freedom, I admire and respect it and would definitely enjoy a bit more of it.

You go girls!
Tim
The High End of five (and six!) figure components is really a fantasyland for the money-to-burn crowd! Check out the cover of the latest TAS and those Wilson speakers! 
it's not like these amps sell in great numbers...they sound great, and there are many who don't mind spending a few extra thousand to have them look great too...
At AXPONA 2018 I talked to a guy from D'Agostino during a slow period on the last day. He told me how expensive and difficult it was to make the copper heat sinks and how they had to replace a bunch of them under warranty from early in the production run because the lacquer would flake off. The copper pieces have to be machined and coated within minutes because copper instantly starts to corrode. They could only find one machine shop with the capability to meet their standards and I'm sure that shop charged a hefty price. I was a little surprised about him being so open about the cost of a purely cosmetic feature of the amp.

I've seen the Momentums at a couple of shows and they really are beautiful. The term "audio jewelry" totally applies to these amps and I'm sure a significant part of their cost is the casework. If I could afford them I would seriously consider buying them just as I would seriously consider an exotic car. I currently own a KSA 300S that I'm spending $3K to recap and renew so it will be good for another 20 years. It weighs 185 lbs and in my amp most of the copper is in the transformer instead of the heat sinks.

The Momentums sounded good but so do a lot of other amps. Dan has targeted a niche where appearance is a major selling feature of his top level amps. If you want an amp that has both beautiful casework and very expensive components D'Agostino has come up with the Relentless. For $250,000 you can have it all!