So what ever happened to Kinki Studio???


Wasn't Kinki Studio all the rage when they first came on the US scene with a quasi-US Distributor?  It seemed like there was no shortage of positive feedback and people who either owned one and were blown away or people who wanted one and couldn't stop posting about them.

Now that there is a new Distributor, why so quiet? Where did all the hype go?
dznutz
After reading all the rave reviews I bought one back in Nov 2018. I quickly sold it after 2 months. It was very detailed, but in my experience it had no bass. Brought it over to two friends systems to see if it was any better, unfortunately it was not. Looked really cool though. 
Coverage goes up, then goes down, as with all things. I still have the first version and sometimes find myself lusting for the newest version with the newer volume control and exposed gold anodized heat sinks. It also has better quality connectors inside.

Whether it sounds better is up for opinion, but it sure looks better. As for the comment on the lack of bass, I find the opposite experience in my system. With my JBL 4319’s 12" woofers, I get really deep, textured and finely delineated bass. Acoustic or electronic bass can really excite my room, not to mention I can feel it in various parts of my body, and boy, can it punch and kick when needed.

I’d love to see Kinki come out with a lower powered integrated like the Bakoon, of around 100 watts/channel or less, in a smaller form factor and see how it fares.

All the best,
Nonoise
My EX-P7G (Goldmund Edition) is fantastic.

Custom server/streamer/renderer running HQ Player, Roon library. Standard laptop-type PS > primary NUC; HD Plex 200W LPS > renderer, same HD Plex > outboard regulator > DAC fixed analog output > EX-P7 > Electrocompaniet class AB 350W @ 2 ohm power amp.

Only glitch is that occasionally (once every 2-3 weeks) my Kinki gets hinky and ignores the remote; switch EX-P7 mains off/on and it’s fine (of course the main and 2 sub amps must be off during this process).

I’d like to see a HT bypass and it offered in black. Current version deleted the rear panel gain switch; full gain range is via variable speed volume control steps of 1 dB. I also would not mind variable volume step size, some parts being .5 dB.

HQ Player allegedly has "zero loss" digital volume. I AB tested the HQ Player digital volume several times vs. Kinki analog; the latter just positively incinerates the former, not in the same zip code. Some get the opposite results, but in every single AB test I detest going direct and always prefer using a good analog preamp.

Maybe some applications need balanced preamp and power amp; in my application the unbalanced Kinki is dead quiet even with true 94 dB speakers.  With ear 2" from the mid bass or stuck in the mid-treble horn (1.3k Hz) noise is barely audible at very high SPL.  And that's with preamp > 8 foot RCA > power amp.
I ordered an EX-M7 this morning so I will see if I agree with Srajen on that model too over the next couple of weeks. I've used my M1 and M1+ with multiple different speakers from the Fritz Carrera Be to the Verity Otello to the Spatial Audio M3TM and never found bass response to be an issue with any.  At the present my original M1 is set up with the Carrera's and the M1+ with Nola KO's. 
Man, I was close to buying that one for sale in mexico; it was about 3 weeks ago.  I decided against it because I just need to hang on to my money with the current situation of things.  I also have some Carrera BE’s.  I’m super happy with my set-up so at least theres that, but I have lusted after a kinki for awhile.

anyone replace the op amps?  The gentleman selling that kinki in mexico has some sparkos for sale for anyone interested..