WHat did Audiophiles hear during Tape deck era?

Of course vinyl ruled back then, but as a college kid I had a musical appetite that far exceeded my budget to buy all the music I wanted on records. And RTR tapes were not cheap either, so the most cost effective way to build a music collection was with cassette tapes. There happened to be a music library where I lived, which lent LP's at a discount to students. With the right timing, you could pick out the latest releases before anyone else did and before the 'handling marks' became offensive. In those years I learned how people treated records they didn't own themselves. 

Anyway, when I finally had the money to afford a decent sounding cassette deck, which really meant Nakamichi, I wanted to re-records everything. The difference was not imaginary. Of course not anywhere near the level of high speed 2 track RTR, yet worthy of the aspiring audiophile on a budget.

Fast forward 40 years and all the music I've ever wanted has been accumulated on pristine original vinyl. But I still operate a nicely refurbished Nakamichi 700II for compiling 'mood' tapes, just like I did in the old days. A ridiculously anachronistic way to pass the time, but to me it's fun. I now make these recordings with a system I could only dream of back then and I'm actually amazed just how good cassettes can sound. It's a format that probably shouldn't work due to its limitations, yet it does.

HI,
LP's but it was fun to record a nice mix from them or even from FM and played back to car stereo, Walkman or portables. I regret selling my last deck a TCK990ES but if I want to listen to cassettes a seperates micro system or a Walkman does it nicely.

My first system, late 70s, included a couple of pioneer pieces, an am/fm tuner and a dubbing cassette deck.  I can’t remember the models. Some radio stations and DJs helped people record music by announcing what would be played and when. Albums would be played without interruption.   I was surprised how good some of my radio copies sounded.

Vinyl, FM radio and chrome tapes.

No Dolby.

Sounded excellent but the tapes could get jammed and tended to get warped when used in overheating car stereos.

Necessary skills included the occasional editing/splicing of broken tape, manually adjusting tape head azimuth, demagnetising, and the cleaning of the heads and rollers.

My NAD 6050c gave great access for all of the maintenance until it was superceded by MiniDisc (which avoided all the issues and had infinitely superior editing options).


flatblackround,

It’s funny how I used to try so hard to edit out the DJs chatter when recording the chart show every Sunday but now decades later realise I should have left it in to capture that period feel.

I definitely would have if I knew back then of the approaching of the digital age. MP3s, downloading, streaming, CDRs all would have seemed like science fiction back then.

During the early 70s when I worked at the University of Texas in Austin and lived close enough to walk to work, I would pass a record store just a block off the Drag that would let you take new albums home overnight to audition for $1. Bring the album back the next day with no damage and they gave you $.50. My routine was to pick up one album, record it on my Tandberg R2R and return it the next day, over and over. It didn't take long to amass a pretty impressive music library.