I'll toss in something to save you some money. Anthem STR Integrated has internal DAC, 1 set balanced inputs, MM MC phono with adjustable rumble filter and phono EQ, ARC.
Yet another Integrated vs Separates advice post
Hey Audiogon! Help me spend my money.
I've recently upgraded my speakers and analog rig and it now has me wondering if I could be getting more out of my amplification section. I've had a trusty Hegel H200 integrated amp for about 6 years and it's to its testament that until now I haven't thought about upgrading it. But the upgraditis is getting to me, especially after my analog section has taken me into a different tier on the source side.
My questions:
If my goal is to move into the "reference" quality tier (and by that I guess I mean, at least providing a sniff of the creme de la creme; Stereophile Class A-quality for lack of a better way to put it), should I take this opportunity to move back into separates?
Second question: if my budget is around $7k, what should I consider that would be a significant upgrade over the giant-killing Hegel? Some components I'm considering:
For separates, PS Audio BHK preamp + PS Audio Stellar Monoblocks (though I'm hesitant about class D amps)
For integrated, Aesthetix Mimas, or a Luxman integrated
Someone in the running: integrateds from Krell, Mark Levinson, and Ayre
My requirements: my rack limits me to standard-sized 17"-wide components. I need at least 2 balanced inputs unless there's a built-in DAC. I mainly seek a "warm" tonality with rich midrange, and greatly value components that image exceptionally well.
My system: Hegel H200, Doge 7 DAC, Avid Volvere turntable, PS Audio Stellar phono preamp, Egglestonworks Emma speaker
I've recently upgraded my speakers and analog rig and it now has me wondering if I could be getting more out of my amplification section. I've had a trusty Hegel H200 integrated amp for about 6 years and it's to its testament that until now I haven't thought about upgrading it. But the upgraditis is getting to me, especially after my analog section has taken me into a different tier on the source side.
My questions:
If my goal is to move into the "reference" quality tier (and by that I guess I mean, at least providing a sniff of the creme de la creme; Stereophile Class A-quality for lack of a better way to put it), should I take this opportunity to move back into separates?
Second question: if my budget is around $7k, what should I consider that would be a significant upgrade over the giant-killing Hegel? Some components I'm considering:
For separates, PS Audio BHK preamp + PS Audio Stellar Monoblocks (though I'm hesitant about class D amps)
For integrated, Aesthetix Mimas, or a Luxman integrated
Someone in the running: integrateds from Krell, Mark Levinson, and Ayre
My requirements: my rack limits me to standard-sized 17"-wide components. I need at least 2 balanced inputs unless there's a built-in DAC. I mainly seek a "warm" tonality with rich midrange, and greatly value components that image exceptionally well.
My system: Hegel H200, Doge 7 DAC, Avid Volvere turntable, PS Audio Stellar phono preamp, Egglestonworks Emma speaker
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- 39 posts total
- 39 posts total