Vinyl by itself is insanely compressed which is why you need a pre-amp with insane slopes to re-equalize it into something that sounds like music
While we can argue about the dynamic range and noise levels of CD vs. vinyl, I’m afraid this is not supporting evidence. I am afraid Kosst is conflating compression with equalization.
Dolby or dbx both have analog compression methods. The RIAA curve is just an EQ to deal with noise and velocity driven transducers.
As has been noted before, early CDs were severely compressed compared to their vinyl counterparts, so the mastering and the tech both impose the limits we hear.

