KEF LS50 Wireless Internal vs External DAC ??


I am finding my KEF LS50 Wireless to sound warmer, fuller, and more spacious, with better resolution of image location, when running my streamer (Audio Alchemy DMP-1/PS-5 power supply) to Audio Alchemy DDP-1 DAC/Preamp into its RCA inputs (which are then internally converted via ADC and again DAC) than I am running my streamer direct to the speakers via USB.
Given the numerous redundant conversions at play, I speculate that the ADC conversion is so much more transparent than I imagined and that the internal DAC in the KEFs is so much worse than I expected that I would recommend others use a high-quality external DAC with these speakers (even if they are to be internally re-DACed within them). 
Anyone have this experience?? Thoughts??
Ag insider logo xs@2xtransience
Returning to this post after originating it, I remain convinced that the USB input of the LS50W is not as pleasing a source as their RCA inputs fed by a listener's preferred mid-range or higher DAC.
I also feel that the absence of a passive crossover (and the presence of driver-tuned bi-amplification) greatly exceeds any deleterious effects of digital resampling in the speakers when run this way, as compared to the passive LS50s run with same DAC (and no ADC>DAC conversion) and even a high-end amplifier.
To recap: streamer to DAC to LS50W exceeds streamer to LS50. Streamer to DAC to LS50W also wins hands down against streamer to DAC to pre/amp to LS50. I have made these comparisons with numerous units in the system, and these results are consistent for me. YMMV.
p.s. I run a very carefully considered system of separates now, but the LS50W remain in my eyes a screaming bargain :)
transience OP17 posts11-10-2018 5:12pmp.s. I run a very carefully considered system of separates now, but the LS50W remain in my eyes a screaming bargain :)
I’m using LS50 because it’s all I need for my 10 x 12 room. How much do you think I would need to spend to beat the LS50W for a small room? :)


bug8434
2 posts10-09-2017 12:26am
With Hugo as an external DAC and run RCA into KEF LS50 wireless, it sounds more spacious and detailed.
However, there is a big problem which made me come back to use USB rather than RCA port.
When I use Hugo, the vocal is apparently not as clear as internal DAC, this is a huge difference, you need not AB test to tell the difference.
I think buy some USB isolation gear EX:Schiit wyrd and Singxer UIP-1 is the best way to make LS 50 wireless Hifiest

I think Schiit Eitr may solve that problem as well. It’s what I’m using and I haven’t experienced the issue you describe in my LS50W vs LS50 listening tests so far.
My system is in a small room, but it’s overkill: Ryan S610, Ayre Ex-8 fully loaded (with streaming amd a ton of digital inputs), Music Fidelity Nu-Vista Vinyl, Amg Giro/9W2, Hana SL.

If I wanted a great system that dominated the LS50W in a small room and wanted to retain Roon and streaming, I’d go:

Silverline Minuet Grand
Pro-Ject StreamBox S2 Ultra
Pro-Ject PreBox S2 Digital
Exposure 2010S2 Power Amp

To keep it simpler you could replace ALL the electronics with the NAD C368. You could also do a PrimaLuna Prologue power amp if you want to include tubes in the system (you'd want something a touch warm to offset the prebox digital's extreme resolution). Either way, the Silverlines are sensitive enough to make that a very tempting proposition. 

transience OP
18 posts11-10-2018 7:25pmMy system is in a small room, but it’s overkill: Ryan S610, Ayre Ex-8 fully loaded (with streaming amd a ton of digital inputs), Music Fidelity Nu-Vista Vinyl, Amg Giro/9W2, Hana SL.

If I wanted a great system that dominated the LS50W in a small room and wanted to retain Roon and streaming, I’d go:

Silverline Minuet Grand
Pro-Ject StreamBox S2 Ultra
Pro-Ject PreBox S2 Digital
Exposure 2010S2 Power Amp

To keep it simpler you could replace ALL the electronics with the NAD C368. You could also do a PrimaLuna Prologue power amp if you want to include tubes in the system (you’d want something a touch warm to offset the prebox digital’s extreme resolution). Either way, the Silverlines are sensitive enough to make that a very tempting proposition.
I really appreciate you taking the time to provide your opinion. I’d be inclined to look into the Silverline Minuet Grand if I could exceed LS50W performance on a budget with a $900 NAD C368. I assume you have heard these speakers? Do you think the difference uptick would be subtle or fairly dramatic? How so? I listen to many different genres of music. Will the Silverline knock it out of the park with everything I want to listen to? I do love the sound I’m hearing from LS50W but I’m also concerned about reliability and that if one thing goes inside of it my whole system is unusable. Well that and the miserly 1 year warranty. If the active parts had a 5 year warranty I’d probably stick with LS50W and call it a day. Thanks for any additional guidance you can provide.