Simon and Garfunkel "Bridge Over Troubled Waters" MOFI UD1S

I picked up my pre-ordered through my local record shop copy last Saturday and have about 5 spins thru it. 
Overall it is A.) a phenomenal performance, just a totally great record, B.) the clarity, detail, separation, dynamics, and output are incredible but C.) not perfect, which for $100 retail copy I get to voice my comments after the entry price, and one could expect near perfection for the price. 
I too noticed that there seemed to be some issues with the levels changing during playback. Side 3 seems the most noticeable.
I also found the highs to be a bit bright and almost overwhelming due to the dynamics of the record. The beginnings of certain songs, like the title track, and The Boxer, start off pretty mellow and end in a big crescendo, which depending on where the volume started at the beginning of the track is almost too much at the end. Mainly in the sharpness of the high end of the register.
Cecelia is a phenomenal track due to the dynamics but I also enjoy Baby Driver much more than ever along with Keep the Customer Satisfied. I have to admit I alway thought that Frank Lloyd Wright was kind of a corny song but it sounds so amazing on this Box that I really enjoy it.
Overall I think this pressing is worth the money and worth picking up. Nit picks aside, the dynamics and clarity are worth the price of admission. And the packaging and overall product is very well done.

I know you're commenting on records but what you are saying is also true on  the cd . I have one of the first issued cd's of BOTW. I also bought this album when it came out in the early 70's it had the same inconsistency as well.   I think it has always been a limitation of the master tapes of this album. 

I heard two of my vynil  of this album, As much as I want to buy it...I waited for , to read some comment like was post here...My friend received his copy, Iam eager to see if it’s worth $100

The problem with BOTW is that the master tape leaves a lot to be desired. As such, any reissue is IMO going to suffer in the SQ department. Pity that this is the case, as the music is superb. Music Direct picked this tile for its obvious appeal and ability to sell well...but they could have picked any number of better sounding albums that have excellent master tape sound quality. As a lot of guys are finding out, the One Step is only going to be as great as the original master tape...and that is the major limiting factor here.

I’ve always found Mobile Fidelity’s choices of titles to redo inexplicable. They always do a great job, I just can’t discern what the rational is in those choices. It doesn’t seem to be the sound quality of the original master tapes, as that varies widely. And it doesn’t seem to be a universal critical approval of the music. So what is it? I could name some Mobile Fidelity titles that I can’t see any justification for redoing, but I don’t want to offend anyone who may love one of them ;-).