Seeking arm suggestions for a Grace F9R


I recently bought an F9 body and a SoundSmith Ruby OCL stylus. I currently have it mounted on an Acos Lustre GST-801 with a 7gr headshell but still a bit heavy with the resonance is in the 7 hz range. I'm liking it's sound and contemplating changing arms. Any F9 owners willing to make suggestions of great matching arms for it. (no 12" please)
Thanks,
Robbie
128x128robbiesd
@rodman99999

No, the majority of the Grace F-9 series are very high compliance cartridges, please look at the manuals first. The F-9F,F-9E, F-9U ... compliance is 25@100Hz and this is typical figure for Grace MM cartridges. Keep in mind that you have to multiply this figure on 1,5 at least to find out what is the compliance @10Hz

SoundSmith (as the US manufacturer) measuring compliance at 10Hz from the start, so this is correct. But all japanese manufacturers measure compliance at 100Hz and this is whay different from the reality, so it must be converted. However, 25@100Hz is already high, it reality it’s about 40@10Hz (very high compliance).

I don’t think the original F-9 Ruby is lower in compliance compared to all the Grace F-9. The only low compliance grace F-9 is F-9P (Professional), this figure is 10@100Hz (about 17@10Hz)
Robbie, Did you actually measure a resonant frequency of 7 Hz, or did you calculate it based on assumptions of compliance and effective mass?  If the latter, and especially if you're really not having an audible problem with bass reproduction, I would say forgeddaboudit.  This business of worrying about resonant frequency is one of the most over-rated in vinyl world. FWIW, I run my Grace Ruby re-tipped by SS in a Dynavector DV505 with original DV headshell.  Like Dave says, it's a great cartridge.

@rodman99999

The $500 Soundsmith OCL Ruby is a turnkey, new-production assembly comprised of Soundsmith’s aluminum stylus holder extrusion, Soundsmith’s suspension, Soundsmith’s ruby cantilever, and Soundsmith’s OCL diamond. It is not a retip or a rebuild. Its compliance, whatever it happens to be, is untethered from the Grace originals.

Glad I checked in, sooner than my usual once a week. Silly me, to have trusted the Grace compliance figures, on the Vinyl Engine site. I’ve no doubt, their own manuals, would be the authority. VE doesn’t mention at what frequency their figures are given, nor- was I thinking about Japanese spec(Oldtimers Disease). And, like I said, I couldn’t swear to anything, regarding Mr Ledermann’s options, methods, materials, or end compliances, with his Grace rebuilds(in my reply to Mr chakster), so- thanks for that info, Mr dgarretson. I guess, now I can(except for whether the compliance is higher or lower). Happy listening, everyone! https://www.vinylengine.com/cartridge_database.php?m=Grace&t=any&mod=&sort=2&Search=...=
Thanks for all the responses everyone.  To answer all your questions: I'll look into the Magnepan Untrac rodman, thanks for the suggestion.  Yogiboy, I am using as light a headshell as I have at just under 7 gr., the stock Lustre is 11gr. I bought an 8 gr. ADC like no-brand magnesium one and 220 sanded just over a gr. off of it's top. I thankfully don't have any warped records so that hasn't been an issue.  I've also set the arms VTF dial at zero and used just the counterweight to apply the VTF hoping to reduce a little more arm mass. Dgareetson is correct, the Soundsmith ruby stylus I have is their production product, not a re-tip or re-build of an original Grace. I have the VTF set at 1.3 gr as called for on it's box, not 1.8 gr. as you suggested.  Should I try increasing it a half gram?  Do you think the F9 would mate well with an EPA-100?  I'll give the Micro Seiki's another look also.  Lewn, I determined the resonance figure by watching 2 test record sweeps, so it's hard to be more specific than "in the 7's", but I'd say more low to mid 7's.  It's stand is on a poured slab floor so I don't have footfalls in this range to worry about. So you think in changing arms trying to get to the desired 10 hz resonance I could be chasing specs rather than really achieving better sound?  I don't think I have 'golden ears' but to me it's sounding quite nice with only about 25-30 hours so far.