Killing Joke anyone???


So I've always been a fan of theirs, but never bought anything by them.  I finally bought a few of their CDs a few weeks ago, among them, Hosannas.  Because of time constraints, I couldn't find the time to get to my main rig, until last night.   I had an idea what I would be in for on Hosannas based on what I heard in the car.  But no, I wasn't even close. I was so far off.  The amount of sound and dynamics and energy and literally visceral impact was something I hadn't experienced before from my main rig that I thought I had experienced with other CDs.  But clearly, not like this. My eyes and my ears were at odds with each other because the equipment I was looking at, I thought, was not capable of producing that type of enormity.   It was a giant wall of music that made me feel like I was at one of their concerts, only better.  I felt like I was punched in the face at the very opening of the first track.  I sat back and took the best beating of my life because it only got better.   What a recording.  I was left open-mouthed and dumbfounded.  I'd love to hear anyone's similar experience, regardless of artist.
shtinkydog
in a parallel universe hi-end audio stores would use killing joke or fugazi
Actually, in this universe.  When I bought my first pair of non-Best-Buy speakers, I went to Saturday Audio Exchange, which is a Chicago audio institution (and I love their staff, all great guys). I brought a homemade CD of the music that had been driving me most crazy on my current speakers - too sibilant mostly -- and that included the Pixies, classic era Billy Idol (whose recent albums are way better than you'd expect, btw), The Smiths, and Rage Against the Machine (Renegades of Funk, I believe).  Pretty sure I had KJ's The Wait on their as well.  

All their listening rooms were being used so they put me in their main demo-system area and I cranked up the Monitor Audio silvers I ultimately bought, and I had the whole store rocking.  People were sticking their heads out of the listening room looking at me disapprovingly, but most enjoyed it.  

Anyway, it just reminded me.  Sorry for the digression.
The bassist "Youth" (Martin Glover) left the band and became one of the hottest producers in the UK. When he reunited with KJ, that’s when they returned to their earlier signature sound.
As a producer he was often hired to remix tracks for use in clubs. This was very different from any KJ material, but made him a lot of money. I visited him at his home studio in London and he was always stoned; that’s probably how he was able to produce dance tracks.
Very glad he returned to KJ.
a logical progression from kj are the comsat angels, whose first three classic records (miracle, sleep no more, fiction) are for some mysterious reason not widely available--more melodic and not as frenetic as kj, but equally angsty--think of a joy division with better songs.