Killing Joke anyone???


So I've always been a fan of theirs, but never bought anything by them.  I finally bought a few of their CDs a few weeks ago, among them, Hosannas.  Because of time constraints, I couldn't find the time to get to my main rig, until last night.   I had an idea what I would be in for on Hosannas based on what I heard in the car.  But no, I wasn't even close. I was so far off.  The amount of sound and dynamics and energy and literally visceral impact was something I hadn't experienced before from my main rig that I thought I had experienced with other CDs.  But clearly, not like this. My eyes and my ears were at odds with each other because the equipment I was looking at, I thought, was not capable of producing that type of enormity.   It was a giant wall of music that made me feel like I was at one of their concerts, only better.  I felt like I was punched in the face at the very opening of the first track.  I sat back and took the best beating of my life because it only got better.   What a recording.  I was left open-mouthed and dumbfounded.  I'd love to hear anyone's similar experience, regardless of artist.
shtinkydog

Showing 3 responses by lowrider57

I loved KJ from the moment I first heard them in 1980. Their music IS like a wall of sound. As Loomis stated, their later releases became highly polished and more like club music, even with the energy and angst.
They returned to their raw sound with the original members on their album Absolute Dissent. Fantastic songs, unfortunately they're unlistenable due to overcompression. No more textured production and dynamics from this point on.

If you were around in the 80s or even if you weren't, check out the song and the video "Eighties." It's a defining moment for the band and  politics in the UK.

Definitely don't need a high-end system to listen to KJ. But I wonder if there is a better recording than the Redbook "Absolute Dissent."
Will have to check out Hosannas.
  
The bassist "Youth" (Martin Glover) left the band and became one of the hottest producers in the UK. When he reunited with KJ, that’s when they returned to their earlier signature sound.
As a producer he was often hired to remix tracks for use in clubs. This was very different from any KJ material, but made him a lot of money. I visited him at his home studio in London and he was always stoned; that’s probably how he was able to produce dance tracks.
Very glad he returned to KJ.