A tube creates distortion, what it does it gives the whole frequency range a colouration.
The emotion of music is inside the music, not inside any audio system or even tube. So you need to understand first how humans experience the emotion of music.
When you only focus on the most important part of our emotion and also music ’DIVERSITY’ it becomes clear that layering in the whole frequency range is by far the most important part to feel the emotion of music.
This means when a system is able to create a higher level in diversity this system will create more emotion during listening. A tube does not create more diversity. It creates a pleasant sound many people like.
Many people in audio have no idea how limited the level they are able to reach of each single part in an audio system. They created their audio system by trial and error and believe that they created their system by personal preference.
But when you have no idea why the stage and sound is what you hear, your system has been created by trial and error. This is nothing more than audio gambling.
Your audio system is being created by all the different properties of each single part in your system togheter including the acoustics.
The acoustics are the biggest part what influences your sound and stage. That is why I did most research in this part. People have no idea how much details and information gets lost.
People think and work like it was 1980 in audio. Mann wake up, it is 2017. You need to learn to look further to create a superior realistic level in sound.
When you want to understand why the stage and sound is what you hear you need to be able te know all the different properties of each single part in your system.
But........even that is not the whole part.
Smog, high frequency noise, magnetism and even more influences the sound and stage negative.
That is why you only can use a very small level in quality of each single part of your audio system. The level in accuracy is very limited. Buying more expensive audio part will not solve these problems. Even buying tubes will not solve this.
You need to understand where and how you loose the diversity in sound.
When I visit an audioshop, new client, distributer or show it feels like I go back in time 20 years ago. And I hear and see often that they still do audio the same way as when I started to work in audio.
It is difficult to believe and understand how less audio is grown in these 20 years. It is as people have been sleeping all the time.
When you want to able to controle audio and sound you need to learn to understand how it is being build. And first of all you need to understand how voices and instruments sound and how they are being projected into space.
But when I visit new clients, audioshops, distributers and audioshows the facts proof that their systems sound so much different than how voices and instruments sounds in real.
This is based on the fact that all these systems are being created by trial and error. And not even one single person can tell what the different properties are of each single part in thier system.
I asked to all these people: do you understand why the stage and sound is what we hear? No one could answer it. It proofs that the systems are being created by audio gamling.
Beside the fact that the systems are being created by trial and error, it also proofs for me very easily that all the systems are incomplete.
This means that all the systems are missing essential parts on which sound is being build. Each single part influences our emotion.
So all the systems have a lower level in emotion and realism. People need to start to focus on music again.
Many audio systems have been created by thoughts of people and endresults of trial and error. But at the end it has nothing to do with how music should sound.
Without music there is no audio. But.....without audio there is still music.
