Is New Vinyl Exempt from Loudness Wars?


I'm seeing new vinyl sold in many unexpected places these days.  

For those who have bought a lot of new vinyl,  I'm wondering if these tend to be mastered differently from similar newer CD  remasters that often show effects of the "Loudness Wars"?

Is it a mixed bag perhaps?   Much like CDs?

I wonder because if I knew there was a different mastering done for new vinyl I might consider buying some if I knew. 

But new vinyl is expensive and I would not want to get essentially the same end result in regards to sound quality as I would get with CD for much less.

Just wondering.
128x128mapman
Mapman
BTW, playing CDs versus streaming ripped CDs from computer disk storage is another good topic to consider when assessing the overall utlity of modern digital versus vinyl.   My overall satisfaction with digital jumped way into the green when I made that transition. I have not played a CD in years other than in my car. Its rip and stream only these days baby!


I do both CD's and streaming, depending on my mood. I guess I like to handle cds and lps, and maybe from being in IT since I was 17, makes using the computer too close to work sometimes for me. IDK.  The other thing. I don't think of myself as old but my kids sure do, at least with some of my music habits. They can't believe I listen to whole cd's without skipping tracks. I tell them I want to get to know the artist, and most time, the best stuff, is the stuff that never makes it to the radio, Their not buying it.  So the computer advantage of cueing up a song list on the server is not a big deal for me. But not stepping on and knocking over piled cd's around the cd transport....:^(

In regards to new vinyl , I live in a small town with only a small HMV nearby with limited selection. If I really want something I need to drive 45 mins or have it brought in. The last thing I want is to have any vinyl handled more by couriers.   
 
"In regards to new vinyl , I live in a small town with only a small HMV nearby with limited selection. If I really want something I need to drive 45 mins or have it brought in. The last thing I want is to have any vinyl handled more by couriers."

There are excellent deals to be had on eBay.  If they're packed correctly the couriers can throw the around like a discus.  The last ones I sold were the first two Mothers of Invention, In Through the Out Door, Tea for the Tilerman, and a bunch of Mercury Living Presence, and I'm not talking about reissues, either.  It's a buyers market out there.

All the Amy Winehouse lps are bright tonally

on a refined system

the dynamic range is not the tell all

I bought the UK version after the US one was difficult to listen to


the UK is better, but it’s not what it should be

and this is a major artist’s legacy


how do the hi rez digital files sound?



Nobody said dynamic range is the end all do all for sound quality. But listen, if you buy a Ferrari that's supposed to redline at 8,000 RPM and you get it home and find out it comes with a rev limiter installed that cannot be removed that limits revs to 5,000 RPM, guess what?  You should have bought a Toyota.
I wouldn’t argue the Winehouse "Back in Black" might be considered somewhat "bright" tonally, but i would argue that if things are going well during playback, its not an issue any more than one might experience at a comparable live performance where there is nothing to take the edge off other than perhaps cheaper seats.

I find the same to be true with many newer remastered CDs in particular, DR aside. They tend to be "hotter" sounding than many older versions released prior to early 90s or so, many of which could be considered flawed in the other direction ie washed out and bland.

I recall reading there were some major changes to the standards used in mastering and making CDs back in the early to mid 90’s that accounts for the difference overall heard with many CDs prior and post. This had nothing to do with loudness wars at the time. that came into play after. So now you have both "brighter and louder" CDs in genreral.

Though I did just a few years back, I don’t find it particularly problematic anymore though. I’ve fine tuned my gear over the last few years to the point where I feel I hear what is in the recording seldom with any fatigue which is all one can ask for.

Being 56 years old and not hearing to 20Khz anymore like I used to probably helps in this regard.