Grace F9 F8 F-9 F-8 Andante F9 F-9 H S Sumiko Pearl Supex Phono Stylus GAS Sleeping Beauty


According to most reports, Sumiko made both the F-8 and F-9. A good friend, who was a Supex, Audire, B&W and Theta rep back then, told me the F-9 was actually made by Supex, which would make sense, since Supex made all Grace moving coils. Also, I would imagine that Sumiko would have a stylus or two available if they made it. 

Sumiko imported these into the US, as well as Andante as a part of their line, and as a separate line for non-Sumiko dealers. FYI, The GAS Sleeping Beauty M/C was Supex 9E+, simply pressed into an an outer mounting shell. I use the Supex Mark IV (Timeline: E, E+, E+ Super, Mark IV are all the same, as far as my ears can tell. They just renamed it every few years.), which eventually morphed into Koetsu, and all of these are really great.

The Grace F9 came with different styli, the green E is elliptical with an alloy cantilever, and the the S is spherical. The red, top of the line is the Ruby, an elliptical with a ruby cantilever. There were both elliptical and line contact tips with a boron cantilever. There are even more F-9's, and all the same cartridge body and internals. 

For nearly complete info, check here, but some of the photos are wrong, i.e. a green cantilever holder on a non- F-9: 

http://www.vinylengine.com/cartridg...chi=&stid=&masslo=&masshi=&notes=&prlo=&prhi=

The original F-9 has a round shank, but a square one fits perfectly, because the inside has offset, rectangular shank, locating springs. I know, because I Have an E and sell an aftermarket S with the square shank. It sounds at least as good as the original S. Many of my customers say it sounds better, but I realize that this is simply because their 9 is worn out and this allows it to drag the bottom of the groove, giving both noise and poor contact pressure. 

All F-9 styli are interchangeable between either company's F-9. 

The Sumiko Pearl was also marketed by Grace as the F-8, and by Andante as the H or S with spherical styli. The Pearl and Black Pearl styli from Sumiko are a complete match and work very nicely.

The Sumiko styli do not work in the F-9 nor vice versa. I state this in my eBay ad, but some people are hard to convince. My stylus can be forced into the F-8 (According to the one customer who kept it, but had to order a second one after destroying the first, then he put this monstrosity up for sale on eBay.) I had a second one returned because he said it only put out on one channel. I am surprised it did that. The cantilever itself is a different length and the magnet does not align with the pickup in the cartridge body. I could modify it, but why bother, when Sumiko has good ones available.

I hope this helps. Dan Vignau 


128x128danvignau
OK, I'll bite.

     I have listened to the Grace F9E on my system, with Audire powered, B&W 803's with B&W DM 16 woofers for subs (recently replacing, for now, Peerless 850146 aka NHT SW2Si) subs powered by a second Audire amp and preamp with a physical, rather than electronic sub filter, for now... again. 
     I have owned a Supex 900 since new in about 1979-80, and it has been "retipped" from a 900 E+ through 900 E+Super, to it's current 900 Mark IV.  Since I used to play a lot of vinyl, I bought a Yamaha MC-9 to use while the Supex was being replaced, and I use it more than the Supex now to save what is left of the MK IV stylus for special records, especially Direct to Discs. I also still have my V15 Shure, which does not compare on my system, but it really SuperTracks! TeeHee. In fairness, the V-15 does give out a mellow, non-threatening sound and doesn't seem to add anything unwanted. It just doesn't move me. Tone arms are a Formula IV for MM, and Signet with removable wands for MC, all stuff of the Grace vintage. I also have a Grace 707 arm which works quite well.
     How do these others compare? Supex first, by far, especially in the bass and extreme high end, such as the triangle in the D to D recording of Sandman on the Dixie Direct "Rosie O'Grady's...." album and also in the shimmering of cymbals when compared to all but the Grace, which is close here.
     The Yamaha beats the Grace everywhere but in  the extreme high end, where it seems muffled. In fact, turning up the sound reveals why it was muffled...by design. It isn't that good up there and has a brittleness that is annoying. Otherwise, it is a bit cleaner and has a much better separation of instruments in space than the Grace, but not as good as the Supex. Ther Yamaha is a boron cantilevered Fine Line stylus, if I remember correctly.
     A buddy brought what was then the top of the line Audio Technica MM to show off. Frank Zappa's compelling piano intro to Uncle Remus all but disappeared into the background. The Grace does very well here, with the Shure in between. The Yamaha is still a bit more forceful on this in-your-face piano. solo, but not up to the brilliance of the Supex, at least ON MY SYSTEM!
     Still, The Grace is the best MM I have ever heard, certainly superior to Grado I have heard, but I am an MC guy and probably have missed a lot.  
     That does not mean I think it is worth anywhere near the money people are asking for them. I considered keeping the F-9, but I sold it to send my Supex to SoundSmith.       
Thanks for the follow-up, Chakster.  I don't disagree with any of the comments in your most recent post, and in fact I had mentioned earlier in the thread that my F-9E Ruby when re-tipped by Soundsmith with one of his ruby-cantilevered line-contact offerings outperformed my original F-9E Ruby.  And I'll add to that comment that my original F-9E Ruby outperformed the original F-9E I had used for a few years back in the early 1980's.

My previous post simply addressed interpretation of the wording in the Grace datasheet that you had cited.

Regards,
-- Al
 
I think one of the more interesting aspects of the Grace F8/F9 series is that not only were there a vast array of cantilever and tip configurations available (including some not in the catalogues), but that some stylus were sold as sets. This indicates to me that Grace envisaged that they expected users would use the different stylus profiles included in the sets to optimise the performance for each record eg conical,line contact etc. The F was the most expensive, but only a couple of thousand yen ( $US20 ) more than the F9E.

@danvignau are you aware of Supex MM design such as Supex SM-100 mk III or mk II ? 
@dover no one can compete with stanton/pickering in this aspect (so many different styli also available as sets along with cartridge).

p.s. I must find one ruby replacement stylus for f9