I took Greg (who I never met before) up on his offer to hear his system, since a friend (who's quite critical) heard Clement's system was extremely impressed.
I brought some of my reference CD cuts, and was quite impressed with the speaker's qualities. I have never been a fan of horn designs, but the system really won me over. The speaker was able to reproduce inner vocal and instrumental details and inflections I have not previously heard from these recordings. Vocals were extremely smooth and never shouty (as I have heard before on other systems). Drum skin sounds were abundant, well fleshed out and properly resonant. The dynamics, both micro and macro were outstanding. This was even more evident when I asked Greg to turn the system down low- to almost sub conversation levels, where the music was extremely alive despite the low volume. This I think is the system's strongest attribute.
Greg's system does go through the Behold room correction so obviously the system can be tailored to whatever the owner finds pleasing, which makes it a little harder to judge the speakers purely on thier own.
I did not hear the cupped hands phenomenon which I have heard before in horn/quasi-horn systems, and I found the speaker tends to image forward, rather than behind the speaker. I generally prefer a speaker to image behind itself, but the Sunny's positive attributes severely outweigh this preference.
I absolutely have to hear the smaller models (which would be more appropriate for my space) and I also want to try them on my OTL amps, since I think they would be a perfect match.
In this hobby, there are many roads that lead to Rome, and in my estimation the Sunny speakers are one of them.
