I just listened to the Jule London Boxstar Records 45RPM vinyl the other day. I found the sound incredibly unnatural. They boosted up the EQ curve so that London's voice sound like she's singing into the top of a Coca-Cola bottle. It's highly resonant and fatiguing to listen to. Also, two of the tracks had surface noise to the point of getting in the way of enjoying the music. Not pleased. And, I still have a sealed boxset of Three Blind Mice, 45RPM, from Boxstar. Before I open it, I will start another thread to hear of others' experience with that set.
Bought Some Music Friday
I made my semi-annual visit to Princeton Record Exchange on Friday and picked up some new vinyl. On a whim I grabbed the new Boxstar Records "Julie London" LP. Two 45RPM LP's beautifully pressed. If you like femaile vocals it doesn't get much better than this. While the recording sounds vintage 1950s (the bass, and to a lesser degree the guitar, are not as well captured as on most modern recordings) her voice is as present and real as any recording I've EVER heard. Wow. The whim continued as I grabbed the new MFSL Sinatra "For the Lonely" (or something like that--I'm at work!) Again, Nelson Riddle's Orchestra sounds much better on the more modern Linda Ronstadt LP's from the 1980's but Frank's voice is remarkably clear, nuaunced and real. So, if you like vocal recordings I would strongly recommend these to you. I also got two Neil Young LP's--the new releases from the NY Archives project--Harvest and After the Gold Rush. I've only gotten around to playing ATGR and it was not terribly impressive. I've got a nice German pressing of this LP that easily competes with this remaster "from the original analogue tapes". Not that it sounds bad, but simply not a mind blowing improvement over the copy I already own. I still have a few more to hear from the pile (Elvis Costello "My Aim Is True" and "The Cars" on MFSL so next weekend should be fun. Enjoy!
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