When a Reviewer "likes" something


... what does that mean in your opinion. I read in one of the last Stereophile mags a comment from Mr. Atkinson where he wrote about the differences in "opinions" in forums or in printed mags. After all he ended with the argument, a component is good when a reviewer likes it.
Isn't is more helpful, when a reviewer knows something about a real tone reproduction? Or is it ok, when he used every month another CD or LP he got for free, a kind of music nearly no one wants to listen to?
Harry Pearson used in the 90's always the same records for his reviews but that was an exception I think.
What is it worth for you when - for example - Mr. Dudley/Fremer/Valin/HP .... "likes" something? Do you have the same "taste" they have?
I know it is possible to like a Turntable even when that unit can't hold the proper speed, or is extremely sensitive to any influences, there are endless recommendations written about such units...what is it worth for you?
Atkinson for example measures units, some have top datas but they can sound very boring, far away from the real thing, some have no top datas, some "tests" are shortened because a unit can reach a area which can be pretty dangerous (see one of the latest Agostino units, just as an example) but they are rated Class A in recommendations anyway....
When someone "knows" what is right or not, then his "liking" is only a personal opinion which is more or less uninteresting or?
Most customers (not all of course) would prefer to know what a unit is really able to do sonically, or not? Would knowledge destroy the joy of Hardware rolling? Or is there a reason why reviewers use low efficiency speakers when they have a tube amp for review (for example Lamm ML2.1/ML2.2 with Magico Speakers)? Is the matching "expensive + expensive" the proper way to show competence?
128x128syntax
Manitunc, One of the well known reviewers for HFNRR, the Brit magazine, was several years ago "caught" for taking payola (money or something of value as compensation for a favorable review). Aside from that instance, you are correct; there are no known instances of such behavior among the many writers for TAS and S'phile. The worst rumors I have ever heard were to the effect that certain reviewers take equipment for review on long term loan, and then keep it. This was a rumor, gossip really, around especially TAS. But it does not amount to misleading the public.

The problem for me is the poor quality of the reviews. Most of those guys below the top level at each magazine have no idea what they are talking about. They often repeat verbatim advertising jargon that is pure nonsense as if it were a valid explanation of something truly innovative.
Manitunc,
I agree that there's no conspiracy or collusion taking place, they just report what they hear and we rither agree or disagree with their impressions. Where I'd disagree with you , the automotive enthusiast magazines make a living on presenting direct rival brand comparisons and duel or multiple car shoot outs(just look at a typical cover of Car and Driver, X vs Y this issue). They don't shy away as some audio reviewers tend to do.
There's just as much variations and flavors of amplifiers and digital sources as cartridges and speakers. I understand they may not interest you but that doesn't change the facts.
Regards,
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Everything in life is vanity and illusion!
audio magazines are part of the game we all have being part at some point in our lives, i support them even if i dont neccesary believe all they have to say.
It will be sad a high end audio without magazines and reviewers....
Lets make it clear we all know our hobby is very subjective as everything else....
Regards and keep enjoying what your ears tell you!