When a Reviewer "likes" something


... what does that mean in your opinion. I read in one of the last Stereophile mags a comment from Mr. Atkinson where he wrote about the differences in "opinions" in forums or in printed mags. After all he ended with the argument, a component is good when a reviewer likes it.
Isn't is more helpful, when a reviewer knows something about a real tone reproduction? Or is it ok, when he used every month another CD or LP he got for free, a kind of music nearly no one wants to listen to?
Harry Pearson used in the 90's always the same records for his reviews but that was an exception I think.
What is it worth for you when - for example - Mr. Dudley/Fremer/Valin/HP .... "likes" something? Do you have the same "taste" they have?
I know it is possible to like a Turntable even when that unit can't hold the proper speed, or is extremely sensitive to any influences, there are endless recommendations written about such units...what is it worth for you?
Atkinson for example measures units, some have top datas but they can sound very boring, far away from the real thing, some have no top datas, some "tests" are shortened because a unit can reach a area which can be pretty dangerous (see one of the latest Agostino units, just as an example) but they are rated Class A in recommendations anyway....
When someone "knows" what is right or not, then his "liking" is only a personal opinion which is more or less uninteresting or?
Most customers (not all of course) would prefer to know what a unit is really able to do sonically, or not? Would knowledge destroy the joy of Hardware rolling? Or is there a reason why reviewers use low efficiency speakers when they have a tube amp for review (for example Lamm ML2.1/ML2.2 with Magico Speakers)? Is the matching "expensive + expensive" the proper way to show competence?
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I am always amazed by the comments here alluding to some ulterior motive by the mainstream audio press to push the product of the day. I have yet to read of a true, factual example of this actually happening by one of the writers for TAS or Stereophile. You may not agree with their opinions or methodology, but this is entertainment, not a scientific journal. Those two magazines are no different than Car and Driver, or Cycle World or any other enthusiast magazine I subscribe to. I happen to like the style of writing of some of the writers, even if they were writing off topic. But to suggest fraud or collusion, as some here have, is simply off base unless you have specific factual support for such claims against a specific writer. Otherwise its just more internet crap to keep getting repeated on sites like this.
And for those who think a month with a piece of equipment is not enough, how long do you think a full time reviewer should spend. Is 40 hours a week for 4 weeks not enough. And if they get paid by the review, are they only allowed to review 12 pieces of equipment a year. If that's so, should they make $5000 per review so they can make a decent living. Get real. No one here listens 160 hours a month, yet many have very strongly held opinions on gear.
And while knowing what the reviewers equipment is might be helpful if he has something the same as yours, it is useless otherwise. There is simply too many different options for any of us to be familiar with how each sounds.
And as for glowing reviews, that issue has come up in my other enthusiast magazines, and the plain fact is that there is very little bad equipment being built these days, especially in the high end range these magazines concentrate on. Except for some garage builder putting out a prototype, most gear being reviewed is well built. Do you want the reviewer to look for crap just so he can say something stinks. Why waste his time reviewing crap when there is so much more interesting stuff to review that is much more enjoyable.
I will say that I gloss over anything to do with digital sound. I just dont care, and I find it boring to read about. that may be why subscriptions are down. In the old days, there were real differences between components, and new ideas being tried. Today, everything has improved to the point that for electronics especially, there is little difference beyond power ratings, at least as compared to cartridges or speakers.
So, unless you have specific actual knowledge of some improper behaviour by a specific reviewer or magazine, and are willing to put it in writing here, give it up and just enjoy the entertainment.
Manitunc, One of the well known reviewers for HFNRR, the Brit magazine, was several years ago "caught" for taking payola (money or something of value as compensation for a favorable review). Aside from that instance, you are correct; there are no known instances of such behavior among the many writers for TAS and S'phile. The worst rumors I have ever heard were to the effect that certain reviewers take equipment for review on long term loan, and then keep it. This was a rumor, gossip really, around especially TAS. But it does not amount to misleading the public.

The problem for me is the poor quality of the reviews. Most of those guys below the top level at each magazine have no idea what they are talking about. They often repeat verbatim advertising jargon that is pure nonsense as if it were a valid explanation of something truly innovative.
Manitunc,
I agree that there's no conspiracy or collusion taking place, they just report what they hear and we rither agree or disagree with their impressions. Where I'd disagree with you , the automotive enthusiast magazines make a living on presenting direct rival brand comparisons and duel or multiple car shoot outs(just look at a typical cover of Car and Driver, X vs Y this issue). They don't shy away as some audio reviewers tend to do.
There's just as much variations and flavors of amplifiers and digital sources as cartridges and speakers. I understand they may not interest you but that doesn't change the facts.
Regards,
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