Class D vs Class A


Valvet 3.5 vs Nuforce ref 9 v3se.
Efficient and powerful vs power hungry and sweet consider pairing with Zen Adagios.Considering switch from Nuforce to Valvet will I miss the power?
128x128george99sa
Wow. If you must go digital, there are other class d amps that I would get in a heartbeat before the Nuforce. I'm a former Nuforce owner and couldn't get rid of them fast enough. IMO, the Wyred amps are warmer, more transparent, organic and just plain easier to listen to than the Nuforce amps. In my experience, there is nothing "musical" about them at all. There are so many more options within your budget. Sell the amps, and one power cord and get a Wyred or another variation of class d (if you must). I don't always agree with Srajan's opinion on equipment but frankly the Job 225 stereo amp is truly a wonderful amp and a steal at it's price. While input impedance is average, its input voltage sensitivity is a ridiculously low .75 volts and gain is absurdly high 35 db. If you don't have a tube preamp (they tend to have high Zout), then consider the Job and pocket some cash if you can. This post has absolutely nothing to do with the fact that I'm selling my Wyred4Sound STI-500 integrated.
Well, it took a little longer than I suspected, but my Class D amp is up and running.... I don't want to over elaborate right now, the amp has only had a signal on it for 12 ours, but I have to say, I've sat in front of a bunch of amps in my 35 years of being an audiophile. I can't tell yet to just how good this amp is, but I can tell you that class D is no joke. My experience is that you get some improvement after 40 or 50 hours and then again around 300 hours of playing. I'll check back soon,
Tim
I heard many class D amps. Many were average and poor. I also heard many class A amps. Often they were great.
Tim: I'm having the same experience with mine. mine probably has about 20 hours and man! what a difference 20 hours have made! its fun reading other owners' experiences as their amps evolve. can't wait to hear what mine does.
jorge
I think as long as amp designers are listening the the things they build, they should be able to make things sound great built from switching amps or blue cheese. Class D is obviously here to stay and Diavelet, Rogue, Bel Canto, and many others have been raved about...pro sound is all over it, and for me it merely means cold little boxes of juice and it bores me (except in pro audio PA stuff where I don't give a crap as long as it works and sounds clear). I think little moving meters would help...or organic looking art deco vibe design...something...ya gotta give me something...Diavelet stuff seems cool but looks like a steam roller flattened your toaster. Small amps with a switch and a little blue dot just don't warm my heart like glowing tubes packed with retro grease making jazz piano sound like it's right there...why would I want something else?