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VAC Owners:Outboard Phono Stage?

I'm contemplating my next upgrade. Thought you guys could help.

I spin mostly vinyl. I have a great analogue front end that feeds a VAC Standard LE pre and VAC PHI 200 amp, both of which I love. The MC stage on the pre is really good, but a little noisy (hiss). Kevin is sending me new 12AX7s that Brent will test for very low noise at the VACtory. Those guys just rock!

My question, however, is how much do I need to spend on an outboard MC phono stage if I want a significant upgrade to the already wonderful sound of the built-in stage?

I know, why don't I just enjoy the wonderful sound? Because it's upgrade time, baby! There will always be a next level (we really need a 12 step group for this hobby).

I'm looking at the Zesto Andros ($3900), the Herron VTPH-2 ($3700), and possibly the new Manley Chinook ($2200).

Ideally, I could audition these in my system, but the nearest dealer is far away, so I'll have to order one.

Any thoughts are welcome. Thanks,
Alón (no, not Wolf)
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wrm57
991 posts
 
As Clio09 said, the K&K Maxxed Out is terrific, especially at its price point. I owned one before I got the Manley. It's a little leaner but does everything well and is very flexible. Kevin Carter is a prince. The Zesto is also supposed to be excellent if a little richer sounding--probably closer to the VAC sound than the Manley. You have some great choices in the $2-3K range.

I should probably add that my VAC phono is different than stock because it has interior screw terminals that allow me to slide in resistors of any value (I use nude Vishays) to fine-tune loading. So cartridges that have odd loading requirements sound better into it than the Manley, which is versatile but limited in loading choices.
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alonski OP
158 posts
 
Wrm57,
My medium output MC (0.4MV) cartridge (Ortofon Cadenza Bronze) has what seems like a pretty wide load impedance range of 50-200 Ohm. Do you think that within that range there is a sweet spot that can only be discovered by tweaking? I understand that this is more an issue for MM carts, but would getting a phono stage with adjustable load settings be a benefit for my MC and therefore part of this discussion?

Did you mod the VAC stage yourself?
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alonski OP
158 posts
 
Clio,
Thanks for your impressions on the Fosgate and the Hagerman Trumpet. I believe I'm leaning toward the Zesto because it's the only one I have heard. I love its rich, full-bodied and warm presentation with a surprising ability to find low level detail.

What room did you run in Newport? I'll probably be there this year... Might be my best bet in hearing both the Herron and Zesto.
wrm57
991 posts
 

Loading varies with the phono stage, the overall system, and one's taste, of course. And like anything in vinyl, it can always be optimized by fine changes, IMO. Whether one really needs to is another question. Playing with this VAC, I find changes of 15 ohms to make worthwhile differences so I've blown a load of cash on Vishays from Michael Percy, mainly because it's so easy to experiment. but I could have gotten by with fewer options.

I'd guess your Ortofon would be quite happy at 100 ohms. Would it be happier at 125? Maybe but it might very well not matter. I have two Ortofons and I like them both at 25 x DCR.

BTW, how do you like the Bronze? I've been interested in that cartridge--seems like it would be very meaty and musical with good detail.

VAC did the mod. It was Brent's clever idea and he did a beautiful job. Resistor value x 10 gives me loading value, so it's a breeze.

Best,
Bill
clio09
3,346 posts
 
I was not doing my own thing at Newport last year, but assisting Concert Fidelity. This year I will be exhibiting with Fritz Speakers and WyWires. As I indicated we plan on using the Zesto again. We'll be using a Concert Fidelity refurbished Denon DP-3000 with Denon arm and B&O MMC-2 cartridge for the rest of the analog set up. By all means look us up and stop in for a listen.
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