A mistake spending too much on amplification?


I was wondering if I screwed up by spending too much money on amplification? I have been upgrading my amp/preamp for awhile now (I started with a CODA Unison, then upgraded to a McCormack DNA-125 and EE Minimax, then to a Herron pre, and now mating that with Sixpacs). And, although there are subtle improvements, I am not hearing any night/day improvements, even when I go back to the CODA. And the CODA is much cheaper!

Does this mean I outpaced my speakers? Kind of like putting a supercharged turbo engine in a car with bald tires? Speakers are VS VR2's and Soliloquy 6.3's. Anyone have a good estimation on amplification costs relative to speaker costs? Sell the better amplification; use the money to buy better speakers?
chiho
Tweaking of power/inter/spk cables*,AC delivery-filtering-regeneration (very important),isolation products(dampers,cones,feet etc and CD treatments have yielded far more than a component switch in my experience. When the tweaks are done it makes it easier to hear the better piece shine or not if you will. As to a pre if you have sources/amp capable you need to try passive. Just try it. Sometimes less is more. A better power cord on my CDP took away silibance present in vocals. This was after trying several that did not take it away.

ET

The Dynaudio Focus 110s replaced $3,000.00 Harbeths which replaced $4,500.00 ProAcs. My room is quite small (11 x 13.5) and I now use a REL sub with very close attention to tuning. The Focuses (Foci?) were just to have something until I made deal on Cremonas or something other montitor in that price range. The 110s are performing so well that my search has slowed considerably. And I've never been a fan of Dynaudio speakers before - always a little clinical for my tastes. By the way, I use a Joule Electra LA150 pre and an EAR 890 tube amp.

Interconnects are all Cardas Golden Refs with TG Audio speakers cables. I am cursed with the ability to hear differences btw wires and cables - these are all more musical (to my ears) than Audience AU24s and Kimber Selects.

I actually really, really like the little 110s. They are more musical and engaging in my system and room than the ProAcs, Harbeths, Merlin TSM-MXs, Spendor 1/3s, Spendor 3/5s. I have not had SF Cremona Auditors for audition as I intended a few months ago but will probably do so. But last night Art Blakey, Gil Evans, and Pancho Sanchez sounded so damn good I'm serioulsy thinking about spending that money on more music.
"spending that money on more music"

Probably the most intelligent conclusion anywhere in this thread! :-)

Do it!
in my opinion, it is never a mistake to purchase quality equipment if you truly enjoy them, regardless of cost ratios against other components in your system or what others think.

in my case, i love my B&W Signature 805 so much i wanted to mate them with as nice electronics and cables i can get. more importantly, i wanted equipment that i love just as much, if not more, than my speakers. maybe my system could sound better if funds were spent differently. but i don't view this hobby as a competitive one in which one must get the best sounding results for funds used, or get the best value, in order to succeed.

ok i have lost my mind. sorry i am not very helpful...
scott
Tomryan,

FWIW, have you considered the possibility that the high output impedance of your tube amp might be factor in how different cables sound when coupled to a speaker of varying impedance?

When impedances are quite close the combination will tend to behave like a mild crossover/filter, creating some mild equalization. This generally becomes quite audible at low input to output impedance ratios and would make different cables sound different, especially with a 4 ohm load.