Modwright SWL 9.0SE -vs- Aesthetix Calypso?

Hey Dan, I have been curious about these because of the overwhelmingly positive response in this forum. The Calypso is the next preamp I am planning to try because I run all balanced equipment. Any plans for a fully balanced unit?

There seams to be some confusion over the Sonicraft platinum capacitors. They are NOT teflon. The cap is a hybrid design that happens to use teflon film as one of the ingredients. The unit was fully broken in.

Reb1208 - I too would be curious to hear what the rest of your system is. Your comments are surprising to me. I bought one of Dan's prototypes for the current production preamp. From what I understand from the few comments I've read from folks who've owned both, the production model is only an improvement on the prototype. Now on my prototype the soundstage was nothing short of superb, and, though I wouldn't have called it a 'tubey' sounding pre, but I also would not have thought to relate it to an SS pre. I found it to be neutral sounding and very dynamic and fast. Again, differences exist from prototype to production, but I'm be really surprised to hear that they'd go the direction you describe experiencing. My issue with the prototype was a simple one that it did not have as good synergy with my SET amps as with my Push/Pull rig. Dan was implementing some changes at the time based upon feedback from the prototypes which he thought would address some of my desire for better synergy with SET. Unfortunately I already had a deal in place to sell the prototype so didn't get to follow up on the offer. My issues with my SET amps were that the prototype did not give me as strong a low-end as I was used to. The emphasis in that matching up was all about midrange. It also seemed to take away some of the warmth (which may be coloration, albeit coloration that i very much like) from that midrange in favor of neutrality. This was not the case with the P/P amp where the prototype really shined in every area and was a superb pre. After reading many comments on how improved the production model is I wish I'd stuck with the program. So let us know what you are pairing the preamp off with. If you are going to make comments that are specific to a component it helps to know the associated system as it could simply be a poor combination. If there were one great preamp that went with every system out there there would be no need for forums like this, or rags that thrive on reviews.

Marco

Ok, I'll go thru the hastle soon and list my system for you guys. Obviously if a power amp has a very sensitive input stage, the system may sound more foward with a high gain pre-amp. That one is easy to figure out. Or if the speaker is mid 90's and up in sensitivity, also an issue for fowardness. Like many of you, lots of pre-amps and other equipment has passed thru my rack over the years. The pre-amp that I compared it to was my modified Cary SLP-2002, driving a Classe Audio model 15 in balanced mode. Speakers are Snell CV, cartridge is Transfiguration Temper V. Digital player is MF A5. Using some of the best wire in existance, most of which I build myself. For those of you that have run balanced tube pre-amps, you should be aware of the potentially superior soundstage this offers. I personally did the modifications myself to the Cary pre-amp. Gone is the electronic hash of the stock unit. I hard wired the whole thing and improved every aspect of the wiring layout. The output caps are polyprop bypassed by polystyrene and REAL TEFLON capacitors. So we have addressed the fowardness and soundstaging issues. Sure, could be system dependent. But how do you explain lack of transparency and detail. Oh I forget, the so called "Teflon" caps were not broken in. Lastly, anyone that knows about the SLP-2002 is aware of the fact that it has very low levels of tube coloration. It is lightning fast, transparent, dynamic, detailed, with balls to the wall authority. At the time the Modwright was here, a friend lent me his AES AE-3 (cary)pre-amp. I ran both the AES and ModWright single ended in a direct comparision. The AE-3 easily outperformed the ModWright, in the soundstage depth. Detail and transparency were about the same. Then I compared them both to the SLP (hey, I'm always looking for a better pre and I'm not saying the ModWright is bad. In fact for the $$$ its a good value. I was just hoping for better) and it wasn't even close.

Thanks again, all of you guys!
All of your info is greatly appreciated.
Happy Holidays Everyone!