Thoughts on Audio Research D70


I recently saw a very well priced D70. If I remember back in 80's these were highly thought of. Having no chance to hear, what do they compare with today or do they?
128x128daveyf
Thanks for the tip the V-cap's website. Do you think that the mid high glare you refer to is from the Rel/Wondercaps??
My experience with stock vintage Audio Research gear is that all of them distort/smears quite early with complex passages esp. chorale and loud piano chords.
I also have a problem with constantly trying to adjust the volume when listening to music. To low and I miss resolution, too loud and the glare is mighty annoying.
Not sure if the Relcap/Wondercaps are not aging well which contribute to that or not.

Everytime after I re-cap these amps with any new caps I often find they get more headroom before they start smearing and exhibit glare.

I have tried Infinicap, Dynamicap, Obligato, and Auricap on my previously owned Audio Research amps with varying levels of success. Each has their strengths and weaknesses. All of them, while better than the Rel/Wonder combo, still exhibit glare IMO.

My old Counterpoints (except for the NPs) all use Wondercap. All have benefitted from changing to oil or Teflon caps.

However, I have not tried the state of the art caps like Mundorf SGO or Vcap or even Jensens on my previous Audio Research Power amps ($$$, number of caps involved) like i have on other gear but based on my experience with the k40y9s on other gear and on this D115Mkii I am confident that this amp can even be further improved with the class AA+ caps. (Audio Research uses Teflon nowadays, wonder who makes them?)

Also regarding the size of the caps, look at what other manufacturers use these days for similar circuits. Very few of them use 1uF or larger anymore. Preamp output caps are a different story.

This is only the first step in modding this unit. I am still trying to find a way to install fast recovery diodes and am considering upgrading the high voltage bypass as well. Not now but later.
Johnsonwu,

Thanks for your input. I think the current ARC cap is the TRT Stealth cap. No outside reviews that I've been able to find. I do know that Aesthetix also uses these in their Eclipse series. From what I've read, I'm not sure these are teflon - they sound simular to the Clarity MR's if you read the write up. If you look closely at ARCDB for the Ref 110, there's a side photo that shows the gold & red Stealth cap with a small silver cap which looks to bypass the Stealth. I would venture a guess that the small silver cap is teflon.

Another interesting cap is the duelund Alexander's. In the smaller size range, they are not nearly as expensive as the teflon caps.
JohnsonWu, you say that every time you have used vintage ARC amps, even after replacing the caps, that they still exhibit smear and glare but at higher headroom.
In my system and with the original caps in the ARC, I am not exhibiting this symptom. As I asked before, could it be something else in your system that is the cause of what you are hearing? How sensitive are your speakers and what tap are you using on the amps to connect them to? I have a small dedicated room, so I am not driving the amp that hard ( which could be why I am not hearing your symptom ;))), what size is your room?
@Daveyf: I meant even after replacing the Rel+Wonders with the class B caps like Auricaps there is still glare remaining. Not so this time, I am using oil caps, not polyprop.

My 2 main pairs of speakers are Avalon Eidolons (too big for my 14 x 18ish room) and a highly modified pair of Utopia Divas. The Eidolons with their Accuton ceramic tweeter tend to exacerbate the glare and hardness more so than the Utopia.

I use the 4 Ohm taps.

I never have a glare problem with my Phi70s (well after all its an expensive amp with all 300Bs and Infinicap-S, they MUST not have glare) or my Counterpoint NPs (Vcap TFTF).

With the stock caps, and if you are not driving the amp hard, you wont hear a lot of details in the recordings.
Thats my main complaint of the Rel+Wonder combo... low volume and its muddy, high volume and it pounces at you.

Anything oil or Teflon will convey the microdetails better and be a lot more linear when going from soft to loud. I never got a chance to discuss with Leonard about teflon caps but figure why he recommended Infinicap and later on Audio Research went from Rel+Wonder to Dynamicap and now Teflon (in some of their amps), not sure about the TRT Stealth which should be a modern version of Dynamicaps.