Long cable run from my phono preamp to linestage.


Due to constraints of a small 11 x 12 ft listening room and the difficulty accessing my turntable within a vertical rack, I've decided to place my turntable on a small table next to my listening chair. As this setup requires a 4 meter cable run between my turntable and full function preamplifier, I've decided to use a small stand alone phono preamplifier with 68db gain (MC) to sit next to my turntable. I am not terribly experienced with analog. Is it ok to use a 4 meter cable run between phono preamp and linestage? I'm sure it's better than sending an unamplified MC signal over 4 meters of cable to my full function preamplifier. Please note I do not have sufficient room to place my full function pre or my entire rack near the listening chair. Thanks for your opinions. Perhaps I'm overthinking this :))
audiobrian
George -- I respect that. IME, using the DEQX came down to weighing sonic benefits against sonic costs. I gotta believe that inserting the DEQX into the signal path has cost something in the sonic sense. But, there are clear sonic benefits that outweigh those costs.

Time coherence mumbo jumbo aside, the room EQ correction alone is a major positive. I thought my finished basement/ sound room provided a great sonic environment for my rig. Nice plush sofa, a guest bed, carpets, plants and so forth.

WRONG!!

The DEQXpert carefully measured each speaker's FR at my listening position. The separate and combined FR plots were a mess, especially in the all-important bass and midrange spectrum. That alone caused major image smearing.

Of course, time aligning the drivers helped a lot too. Much more coherent imaging and less congested presentation.

I think many of our fellow hobbyists would be really surprised at just how sonically toxic their sound rooms may be. After all, the better speakers brands are probably voiced in an anechoic chamber. But that's not how the real world is.

The DEQX did some major signal twisting and bending to smooth out my speakers. They are NOT ruler flat ... nor perfectly time coherent. But they are "tamed" for lack of a better way to describe them.

So what's worse? Twisting and bending the signal being fed into my speakers, or letting one's sound room to bend and twist what comes out of the front end of the speakers by the time the sound reaches the listening position. Distortion is distortion.

Of course, the alternative is that one could turn their sound room into a sonically dead anechoic chamber and buy time coherent speakers that look like one eyed insects or Dr. Who Daleks.

Just my humble opinion. LOL
Sorry for my extended absence....family concerns I'm afraid.
Thanks to all who responded.
I am using a Thor TA 3000 mk2 phono pre with output impedance of 300 ohms. It has 67 db MC gain, running 4 meters Cabledyne Silver Reference
Unbalanced ICs into my VAC Ren Sig II linestage, driving VAC phi 300.1.
I'm still considering placing my entire vertical rack to the right of my listening chair, allowing me to use the 4 meter run between linestage and amplifier as most do.
Happy holidays!
Hi Audiobrian,

I looked up the capacitance of your Cabledyne Silver Reference. The 4 mts of it will yield 160pf for each channel. This combined with the 300ohms output impedance of your phono pre will give you a -3db at 3.3ghz!! Which is no trouble at all, bats wouldn't even hear this hf roll off.

If you use the same interconnect between your VAC pre (which is half that of the of the phono pre at 143ohms) and your poweramp it is even better at -3db at 6.8ghz!!!

So the end result is you can use it either way, go with what sounds best and convenient to you, as either way you are not causing any roll off into the audio bands high frequency.

Cheers George
I agree with George's comments, except I think that when he typed "ghz" (gigaHertz) he meant to say "mhz" (megaHertz).

Regards,
-- Al