Speaker wire is it science or psychology


I have had the pleasure of working with several audio design engineers. Audio has been both a hobby and occupation for them. I know the engineer that taught Bob Carver how a transistor works. He keeps a file on silly HiFi fads. He like my other friends considers exotic speaker wire to be non-sense. What do you think? Does anyone have any nummeric or even theoretical information that defends the position that speaker wires sound different? I'm talking real science not just saying buzz words like dialectric, skin effect capacitance or inductance.
stevemj
Nice job Kd, I think you may be on to something here. Now how to show it so those who need something on paper, something on a read-out. It's not understood enough to know what to test for or how to conduct the test. As I've been trying to say, but am not blessed with your skill, just because we haven't tested it doesn't mean it's not there, only that we don't understand it or how to test it. Please continue your offerings Kd, very nice to hear from you. J.D.
Oh yea, one other thing Kd, I tried to warn Elizibeth when she first tried silver wires. Your caught and there is no going back. I know your already eyeing some $100 interconnects on auction. Good-luck and welcome to my addiction.
Thanks for the kind words. I must confess something though--I just re-read Steve's original post and he asked about "exotic speaker wires." My comparisons were with interconnects; I haven't tested fancy speaker wires yet, although I am confident they also make a difference. I did try biwiring and wow, did _that_ ever smooth out the sound. And with truly cheap 14-ga hardware store zip cord.
Steve, Tom Nousaine published a very interesting article in Sound & Vision detailing the results of blind tests of speaker cables. He had audiophile listeners compare 16 AWG zip cord to their own chosen brand/model of speaker cable, in their own homes, on their own systems, with their own chosen playback source and media. He gave the listeners a choice between ABX switching and cable-swap (scored as same-different) methods (except the last listener; for her, he used both ABX and the cable-swap method because the others had chosen ABX). No time limits; in fact, he let the listeners warm up and practice so they would become as comfortable as possible with the tests. A minimum of 10 trials per listener. None of the listeners, despite their high opinions of their own hearing prowess, could correctly identify the cables they were listening to a statistically significant number of times: in comparing the zip cord to a set of T1 bi-wires, one listener guessed correctly 3 out of 10 times, which is within the likely range of results that would arise from just guessing or flipping a coin. Another listener's results were 4 out of 10; again, within the range of strictly chance.

In short, the listeners were asked to prove that they could indeed hear audible differences between the cables, and none succeeded.

Regarding ABX: Some may allege that rapid A-B switching "hides" real differences. That's one vague assertion! My opinion is to the contrary: it allows the closest thing to actual side-by-side comparison possible in audio. Obviously we can't listen to two things simultaneously and judge between them; the best we can do is put the same audio through both DUTs, match the levels, and freely switch between them as needed to make the comparison.