Is DEQX a game changer?

So far I seem to be hearing a strong yes. Any dissent and if so why.

Not really dissenting, but just want to make the point DEQX is not the only option. I think what is to me a game changer is DSP, and the ability to room-correct plus time-align the drivers. This is my opinion and I still need to try it for myself.

DEQX is attractive in that it's a one box solution that performs very well, allows you to also correct non-computer sources, but sells for $5500 or so. So rather expensive.

BTW, the same DEQX owner who told me it replaced a $30k DAC with it and was very happy, now told me the exaSound e28 is a sonic equivalent of the DEQX HDP4. The e28 retails for $3800 or so and allows for 8 channels, but needs the DSP software on the server, and it doesn't have an analog input so taking measurements is a lot more complicated. This guy is not bypassing the passive XO on his YG speakers, so he is not doing time-alignment as far as I know.

Yet another option is a Lynx Hilo, that sells for $2300 and has six channels and analog inputs so measuring is easy, but it also needs DSP software on the server.

I basically just listed the three options I'm considering. It is not easy to abandon the beated path and ignore the shinny comments about new 2-channel DACs such as Chord Hugo and others. Decissions!!

Answering After_hrs question, the difference in the quality of music after setting DEQX into the system is so astounding that it is impossible to compare the amps

An important aspect here is that when you measure & correct the speakers (ie outdoors) and then calibrate, re measure and correct in the listening position, this is with each amp/channel as you will use in the final setup. Source components (in my case Vinyl/CD/SACD/Streamed FLAC) only play a part during final time alignment tweaks or equalisation on-the-fly whilst listening to music. This is a really good feature so you can arrive at exactly the sound you want

DEQX corrects what the mic hears and therefore the impact (or otherwise) of each amp is taken into account. The end result just sounds lifelike and 'neutral', without colouration. Equally importantly, all the bass humps and dips have audibly disappeared and the room/speaker interface has no bearing on the sound. DEQX will also enable you to take bass to unbelievable levels if you so desire and if the drivers will allow it. At the same time it remains uncoloured - hard to believe it is possible until you hear it

Another example is that I have tried 3 different types of speaker in 2 different rooms with a different power amplifier controlling the midrange and if used correctly, the end result is remarkably similar. I have changed to different brands for mid and treble in my current setup and it has no discernable bearing (and I am someone who knows that system/room intimately). That is very impressive

If there is a downside, apart from the relative complexity in learning the process correctly, it is that I now spend all my spare time in that damned music room and my already vast music collection grows weekly :)

Drewan77,

How are you using your DEQX? Is it between a stereo preamp and the amps? If so, have you compared the current setup to receiving the digital stream directly into the DEQX and using it as XO/DAC/volume control?

Lewinskih01

I did not require my other preamp because the DEQX does this very well, reducing components in the signal path and it is transparent sounding

It has both digital and analogue inputs, balanced and unbalanced (HDP4 has USB as well but I don't need this)

The DEQX has analogue volume control outputting to the power amps (digital volume option included) and yes, I have used the onboard DAC which is very good, configured as below:

CD transport input to Balanced Digital XLR, onboard DAC, then onboard XO/speaker correction, output to external treble/mid/sub power amps, then to Speakers & subs (likewise for a Digital streamer to coax unbalanced Digital phono input etc)

A Turntable and SACD player use the phono and balanced XLR inputs